Grebennikov's anti-gravity platform
Grebennikov's anti-gravity platform

Video: Grebennikov's anti-gravity platform

Video: Grebennikov's anti-gravity platform
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Viktor Stepanovich Grebennikov is a natural scientist, professional entomologist, artist and simply a well-rounded person with a wide range of interests.

He is known to many as the discoverer of the effect of cavity structures (EPS). But not everyone is familiar with his other discovery, also borrowed from the innermost secrets of living Nature.

Back in 1988, he discovered the anti-gravity effects of the chitinous covers of some insects. But the most impressive accompanying phenomenon of this phenomenon is the phenomenon of complete or partial invisibility or distorted perception of a material object located in the zone of compensated gravity.

Based on this discovery, using bionic principles, the author designed and built anti-gravity platform, and also practically developed the principles of controlled flight with a speed of up to 25 km / min. From 1991-92, the device was used by the author as a means of fast transportation.

Much is described by him in the wonderful book "My World" (In it he was going to describe the detailed structure of the gravitational craft and how to make it. They did not give it!..)

And his death raises questions. Officially, he was exposed to unknown radiation during experiments with his platform.

Fragment of the book:

“In the summer of 1988, looking at the chitinous integuments of insects through a microscope, their feathery antennae, the finest scales of butterfly wings, lacewings with iridescent iridescence and other patents of Nature, I became interested in the unusually rhythmic microstructure of one of the rather large insect details. It was an extremely ordered composition, as if stamped on some kind of complex machine according to special drawings and calculations. In my opinion, this incomparable cellularity was clearly not required neither for the strength of this part, nor for its decoration.

I have not observed anything like this, even remotely resembling this unusual amazing micro-pattern, either in other insects, or in the rest of nature, or in technology or art; because it is multidimensional in volume, I still have not been able to repeat it on a flat drawing or photo. Why does an insect need this? Moreover, this structure - the bottom of the elytra - is almost always hidden from other eyes, except in flight, when no one will see it.

I suspected: is it a wave beacon with "my" effect of multi-cavity structures? In that truly happy summer, there were a lot of insects of this species, and I caught them in the evenings at light; neither "before" nor "after" I have not observed not only their mass character, but also single individuals.

I put this small concave chitinous plate on the microscope stage in order to once again examine its strangely stellated cells under strong magnification. I admired another masterpiece of Nature by a jeweler, and almost without any purpose put another exactly the same plate on it with tweezers with these extraordinary cells on one of its sides.

But, it was not there: the piece escaped from the tweezers, hung for a couple of seconds in the air above the one on the microscope stage, turned a little clockwise, slid away - through the air! - to the right, turned counterclockwise, swayed, and only then quickly and abruptly fell on the table.

What I experienced at that moment - the reader can only imagine …

When I came to, I tied a few panels with wire; it was not easy, and then only when I took them vertically. The result is such a multi-layer "chitinoblock". Put it on the table. Even such a relatively heavy object as a large pushpin could not fall on him: something seemed to be beating it up and then to the side. I attached the button to the top of the "block" - and then such incongruous, incredible things began (in particular, for some moments the button completely disappeared from view!) That I realized: this is not a lighthouse, but something completely different.

And again I took my breath away, and again from the excitement all the objects around me floated as if in a fog; but I, albeit with difficulty, still pulled myself together, and two hours later I was able to continue working …

Actually, it all started with this incident”.

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