Malevich! What a son of a bitch

2024 Author: Seth Attwood | [email protected]. Last modified: 2023-12-16 15:55

“… In this book…, I repeat, in this book I have put everything…, … all that I have known so far about stupidity and

about stupidity …, I repeat, about stupidity and stupidity …, your stupidity … Madame, Monsieur … and even Mademoiselle.

And I would ask everyone else not to worry.

Because it's too late to worry."

(Yuri Khanon, epigraph from the book "Whose Alphonse Was Not")

Malevich's Black Square is a sensational picture, which is still judged and interpreted. Someone does not understand at all what is it about, why it is art in general, someone foaming at the mouth defends their beliefs. They say that the black square is the end of everything, what the development of art will lead to, and that Malevich simply depicted the end, bypassing the intermediate stages.

Malevich considered the painting to be an icon. And an icon can also have artistic manifestations and qualities. Moreover, the icon must also have a spiritual component.

Well, starting the study of another myth that has existed for 100 years, the operational-investigative group created by the author on the Web, consisting of retired operatives of the past, more than 100 countries of the world, took as a basis the version of the artist himself.

Since the icon exists, then obviously there must be a religion, for the sake of which this icon was created.

From the very beginning of the story, I hasten to warn the reader that Malevich is not the author of this work. That. over what the most prominent art critics, the most common plagiarism, are puzzling over, and the study of the personality of the artist himself led to a legitimate question: why is a lie so tenacious?

Having shoveled a huge amount of art history material, we came to the conclusion that any description of this canvas is a simple psychological task in which the researcher offers to look at a dark figure drawn on white paper. The associations and visions that appear at the same time make it possible to determine the stability of the psyche to normal stress. This practice is especially successful when selecting flight personnel and aviation specialists in general, and any cadet will definitely tell you about the medical board, where he looked at such pictures. This method is quite famous and got its start in the 19th century, in the Kaiser's fleet, when the first German psychologists tested sailors and officers for resistance to psychological stress in an enclosed space. This technique is just one of those that will be effective in conjunction with being in a room, and the type of room and its size will affect the course of perception. I dare to assure the reader that not a single art critic has examined Malevich in the usual sunlight, which, in fact, was what the artist intended.

However, an excursion into psychology is enough, the purpose of this miniature is to tell about the crime, the name of which is plagiarism, copyright infringement and fraud.

As I said earlier, Malevich simply stole someone else's idea and took advantage of the work of another person.

It should be noted that the end of the 19th and the beginning of the 20th century, this is the time of the formation of Zionism, which required "genius" scientists, poets, writers, chess players and other mental workers. The reason for the absence of physical workers in the ranks of the Zionists is quite understandable - the idea needs a leader people, not a working people, otherwise why then the myth of God's chosenness. So they riveted geniuses all over the world, from the thieving Einstein to Malevich. In my opinion, none of the works of this artist. Not able to compete with Shishkin or Savrasov, the public simply never saw other works, except for the famous squares of different colors. All the rest - pictures known as popular prints and fair-fit common people. Malevich did not know how to draw, or rather his level is much lower than the contrived one. However, this is my opinion, and it's time to return to the presentation of the topic.

So who is the author of "Black Square"?

Alphonse Allay: born October 20, 1854, Honfleur (department of Calvados) - died October 28, 1905, Paris) - French journalist, eccentric writer and black humorist, known for his sharp tongue and dark absurd antics, a quarter of a century anticipating the famous shocking exhibitions of the Dadaists and surrealists 1910s and 1920s. For a more understandable definition of this personality, I will draw parallels with the now famous magazine Charlie Ebdo. It should be understood that the journalists and cartoonists of this tabloid and sensational publication, heavily funded by the Zionists, are not innovators. As they say, their merit in world culture has long been determined by the Russian proverb: "A thief stole a club from a thief."

Alphonse Allay is also known as the "secret" founder and forerunner of conceptualism and minimalism in literature, painting and even music.

With his funeral eccentric play Magnum's Revenge (1893-1895), he anticipated minimalism in theater and fiction by more than half a century.

More than a quarter of a century before the famous "Black Square" by Kazimir Malevich, in 1882-1884, Alphonse Allais invented his "monochrome painting" (white, red and green rectangles - and only the priority on "almost black square" (October 1882) formally conceded at the first exhibition to his friend of that time, also a humorist writer Paul Billot.

Well, the study leads us to a new character, but without finishing with the old one, the author will not be able to explain to the reader the whole essence of what happened in those distant times, separated from us by only 4-5 generations of people.

Alphonse was a Freemason and even served on the board of a Masonic cabaret in Paris.

It was there, in the Vivienne Gallery, during the exhibitions of Untethered Art, that he first exhibited his famous monochrome paintings. The first in a series of artistic discoveries by Alphonse Allais was the completely black and almost square canvas "Battle of the Negroes in a Cave in the Deep of Night" (1882), originally exhibited in a gilded frame by his temporary drinking companion and colleague, humorist writer, author of vaudeville, Paul Billot. Not stopping at the achieved success, a year later (at the second exhibition of "Untethered Arts") Allais exhibited a virgin white sheet of Bristol paper called "The first communion of chlorotic-pale girls in the snowy season" (1883). A year later, another painting by Alphonse Allais was perceived as a kind of "coloristic explosion". The rectangular landscape "Tomato harvesting on the shores of the Red Sea by apoplectic cardinals" was a bright red one-color painting without the slightest signs of depiction (1884). As you can see, both the black and red square of Malevich existed long before it was written in Russia.

However, it's time to take an interest in the friend of the young fellow Alphonse.

Paul Billot, real name Charles, born December 31, 1854, Brewer-Allishan - January 8, 1933, Avon) - French playwright and librettist.

He made his debut in 1879 with pop sketches and lyrics (some of them were sung by Joseph Darcier). Then, in 1881, he performed for the first time with a whole play - the comedy "The First Quarrel", staged at the Parisian theater Gimnaz. Billot's comedies (partially co-authored, including with Michel Carré-son and Maurice Annequin) were staged on various Parisian stages at the turn of the 19th and 20th centuries. In addition, in the 1890s. he actively worked as a librettist for operetta (collaborating with Charles Lecoq as well).

The most famous, however, brought Billot a one-time performance in the role of a painter. In 1882, at the invitation of his friend Alphonse Allais, he took part in the Salon of the Inconsistent, exhibiting the painting "Battle of the Negroes in the Dungeon", which was a black rectangle.

Now let's return to Malevich again.

The Black Suprematist Square is the most famous work of Kazimir Malevich, created in 1915, one of the most talked about and most famous paintings in Russian art.

"Black Square" is part of a cycle of Suprematist works by Kazimir Malevich, in which the artist explored the basic possibilities of color and composition; is, by design, part of a triptych, which also includes the "Black Circle" and "Black Cross".

Now is the time to remind the reader about the tests for aviators, where these black geometric shapes are present. If they are superimposed sequentially one on top of the other, then as a result, the person watching this action will see them all, on a completely black background. This is memory, ordinary visual memory.

Well, now we will tell the readers what is actually drawn in this picture. As I said, the idea was stolen from psychologists, and plagiarism was identified from two Frenchmen. These are their two paintings "The Battle of Blacks in a Cave in the Deep Night" by Alphonse Allais and "Battle of Blacks in the Dungeon" by Paul Billot, successively painted one on top of the other (the first was written on a black cross, a black circle was written on top of it, then the second painting, and finally the black square itself) is the whole creative idea of Malevich. And given that both French jokers did not paint any pictures, but simply painted over their canvases (anything can be under the black paint), Malevich wrote both plots in his own popular fashion. It remains to paint over and the picture is ready. He simply copied the white, red and green rectangles drawn by the Parisian jokers.

Our operatives took part in the investigation of Malevich's painting and therefore I publish in the screensaver what was hidden under a layer of black paint. As you can see, reader, there are no blacks, but there is a psychological trap about which I just told you.

Of course, you have the right to observe even the divine glow of your navel, but we, the opera who reviewed the history of this work, argue that Malevich was formed as another genius of Zionism and, despite the declared Polish roots, was not an ethnic Pole. I will also say one more fact. Living in Kiev during the years of Soviet power, Malevich called himself a Ukrainian on the questionnaire several times and even persuaded his family to adopt a "convenient" nationality at that time. The fact is that it was the Soviet government that made Ukrainians out of Little Russians. The adaptability of the relatives of the people to which Malevich belonged is known - you can find not only a Polish Jew, but also an Ethiopian, German and even Brazilian. This people is so arranged that it accepts any nationality, depending on the trends of political winds. An example of this can be the Ukrainian Timoshenko, with "Baltic" roots and an "Armenian" pope. In fact, her ancestors are Jews from a small town in Ukraine. The author, like many readers, finds it difficult to understand the course of inferences of this opera diva of the Ukrainian politicum and the reasons why she hides her nationality. But such phenomena are ubiquitous among her people and obviously she has something to hide.

Of course, one could stop at this, because for an author who considers himself a Russophile, it is enough that the phenomenon of Malevich's square is an art that does not have Russian roots. In the end, I was convinced of the correctness of the conclusions of my colleagues in the shop and it would be possible to fold the miniature. But as proof of my innocence, I will publish a small note in addition to the photo on the screensaver, and I would rather see "Morning in a Pine Forest" or another canvas, say Italians, which was influenced by Slavic culture. It is true - in any European work you can hear the echoes of the life of our ancestors: the Etruscans, Qatar, the Slavic tribes of Germany and Spain, etc.

Well, you read the note and think whether it is worth diverting your attention to perversions, even if recognized by the entire "civilized world." Read and think.

"Researchers at the Tretyakov Gallery have published the data of a new examination, which should finally shed light on the mystery of Kazimir Malevich's" Black Square ".

The results of the examination were announced at a scientific conference specially assembled for the 100th anniversary of the writing of the "Black Square".

According to Ekaterina Voronina, an employee of the Department of Scientific Expertise of the Tretyakov Gallery, two color images were found under the "Black Square", the nature of which has not yet been established. It is reported that one of the images may be a protosuprematic composition.

Through an X-ray and a microscope, it was also possible to discern the inscription hidden behind the "Black Square" - "The Battle of the Negroes in the Dark Cave." Art scientists did not rack their brains for a long time, immediately determining that Malevich was making a reference to another painting by the French artist Alphonse Allay - "The Battle of Negroes in a Dark Cave in the Deep of Night". Through a microscope, after using X-rays, it was possible to discern the outline of the picture on the next layer after the "black square" and partially its color."

Eh, you connoisseur of used stools. But when will you, the reader, look at the world with your own eyes? Or will you wait again for a description of a new interpretation of the usual daub, for the sake of a fashionable discussion of the picture in high society? Wake up! The world is more beautiful than a black spot on white. And then this icon is not at all Russian letters. This is an icon of a famous religion called Zionism (not to be confused with modern and ancient Judaism (11th century, born in Khazaria)). It is under the auspices of this teaching that perverted perceptions were created in literature and art, and indeed in everyday life. Look again at the photo presented in the splash screen. If you find there anything other than a psychological workshop of a low level, then the virus of Zionism has settled in you and knocked down the program. Download Doctor Web Kureit immediately and start cleansing your problem brain. However, the Russian bath also helps in such cases. By the way, the painter Shishkin is in the rural tea house, too. Just don't go overboard with combiners, everything is fine in moderation. Well, you understand me, my sinful child….