The secret of the Amur petroglyphs is revealed

2024 Author: Seth Attwood | [email protected]. Last modified: 2023-12-16 15:55

Second Amur expedition

On November 12, 2014, the TV channel "Russia-1" showed the documentary television film "The Secret Code of the Amur Faces" from the cycle "Mysteries of Civilization. Russian version "(directed by Yevgeny Bezborodov). In the film, the Amur faces mean "Sikachi-Alyan petroglyphs" found on the banks of the Amur northeast of Khabarovsk. In the film, what is called an edge, the question is posed: which "races", Mongoloid or Caucasoid, created these images and at what time? As for the antiquity of petroglyphs, then, in general agreeing with the concept of the authors of the film "The Secret Code of the Amur Faces", I dare to offer a new point of view on this issue. But first, two small introductory chapters …

Photo 1. Zodiac circle on the facade of a building in St. Petersburg

1. Space clock - Svarog Circle

In life, we use an ordinary clock and an ordinary calendar, which are based on the daily rotation of the Earth around its axis and the time during which the Earth makes an annual revolution around the Sun. The solar calendar is practically unsuitable for describing the life of mankind for tens and hundreds of thousands of years.

However, there are “clocks”, the hand of which makes one revolution every 26,000 years. This "arrow" is the axis of the planet Earth with its characteristic precession.

The word "precession" refers to a phenomenon that everyone has observed. Remember the children's toy - whirligig. The spinning whirligig begins to swing around its own axis shortly after launch. This is exactly how the earth's axis behaves, maintaining rotation, making one circular oscillatory motion in 26,000 years. At the same time, it serves as a kind of "arrow" pointing to the zodiacal constellations in the appropriate sequence.

The dial of this cosmic "clock" is the vault of heaven and twelve zodiacal cosmic constellations. Such a chronometer counts the cosmic zodiacal (historical) epochs. If we divide the period of 26,000 years by twelve, we find that there are 2,160 years for each sign of the zodiac. Such a period of time will be very significant in the life of a particular people. In 2012, the invisible arrow of the earth's axis left the sign of Pisces and began the countdown of the era of Aquarius. The change of eras is not an ordinary phenomenon. Not every generation has such an event. In St. Petersburg, on one of the old beautiful houses on the Petrogradskaya side, you can still see such a zodiacal "clock" (see photo 1).

In calendar terms 2012. was analogous to the day of the solstice - the moment when, after a number of months, a new season is born, but it is still far away before it takes effect. For example, on December 21, the Sun turns into spring, but it is still walking and walking until spring.

The amazing world of zodiac signs fascinates and attracts, but the bottomless depths of their content are available only to dedicated sages. At the beginning of each era, a certain messiah certainly appears, who announces to people about the character of the coming era, the trials that it brings, and suggests what rules must be followed in order to overcome the upcoming trials.

The calendar of the zodiacal and historical eras now known to everyone is the Biblical zodiac system. But there is another zodiac system - the Vedic, in which the zodiacal signs and their number are different, but the Vedic system is based on the same period of 26,000 years.

Rice. 1. Two zodiac systems (circles of times)

On the left is the Biblical zodiac: Leo, Gemini, Aries, Taurus, etc. But the one on the right is the Vedic zodiac or Svarog Circle. If you look closely, then such signs as Perunitsa (lightning), Cross, Wheel, Trident, Circle (sun), Cornucopia, etc. are well known to all. Please note that the Orthodox cross, which many Christians wear around their necks, is a sign of the Vedic zodiac, there is no such sign in the Biblical zodiac. The remaining fifteen signs of the Vedic zodiac are now in a latent "sleeping" state of "yin" and are not used for timing. There are sixteen Vedic zodiac signs in total, and the duration of the Vedic era is 1620 years.

Today, Vedic signs are of interest only to ethnographers and historical reenactors who recreate holidays and events of the distant past, as well as to those who study the fabulous heritage of the peoples of the world and their mythology. In the right Vedic zodiac ring at the top, one sign is missing. There should be a left-sided swastika. We did not put it there, because today the laws of the Russian Federation prosecute the image of the swastika. Everyone knows that the left-hand swastika - Inglia - was used by the Nazis as their emblem. The ancient Ynglings (fire-worshipers), the ancestors of the indigenous English, who gave their name to England (England is the land of the Ynglings), believed that the swastika - Inglia - is the main symbol of the Vedas and is a schematic representation of the center of our spiral rotating Galaxy with four arms. Both zodiacal systems (circles of time) are "gears" and integral parts of the same calendar mechanism, common for mankind, which operates according to the "yin-yang" principle.

2. Zodiac co-images or attributes

According to the "Calendar of Historical Eras" (see Fig. 3), a certain system of images corresponds to each era of the Svarog Circle: the patron gods (Jiva, Tarkh, Perun, Kupala, etc.), a certain sacred animal or Virgo, one of the elements (heavenly swaga, sunlight, the world of plants or water element), etc. Similarly, for any Biblical era, there is also a certain zodiac sign and one of the elements (fire, water, air, earth). All these symbols - animals, elements, plants, located horizontally, crossing the chronology table - are co-images or attributes of the era. Further, using the example of the Russian fairy tale "Fox and the gray wolf", we will see how closely biblical and Vedic symbols can be intertwined in the same fairy tale.

A complex system with many co-images is necessary for the compilation and understanding of sacred texts and images. Co-images are the hypostasis of the era, its attributes. For example, Perun's attributes are lightning-perunitsa, eagle bird, green oak. On sacred images and in sacred texts, only they directly indicate that Perun is before us. No other arbitrary signs and letters, for example, the letter "P" on Perun as a sacred character do not indicate.

3. In the labyrinths of the "Secret code of the Amur faces"

In photo 2 we see one of the most impressive Amur petroglyphs - a beautiful image of the Elk. The handsome Elk here is one of the sacred symbols in the Vedic zodiac system - the symbol of the Elk era! The last time the era of the Elk lasted from 2848 BC. e. to 1228 BC e., i.e. 4863-3243 years ago (see Fig. 3 "Calendar of historical eras").

Fig. 3 Calendar of historical eras

Photo 2. Petroglyph "Elk"

The "insides" of the sacred Vedic Elk are filled with sacred symbols of the modern era of the Elk of the Biblical eras - Taurus and Aries.

The zodiac symbol of Aries in the form of rounded horns is located "inside" the Elk at the top of the back. Taurus is harder to see. Here you have to figure it out, i.e. look for his co-images. The co-image of Taurus (see "Calendar of Historical Eras") is the Earth. The orbit of the Earth is the third of the concentric circles around the most ancient astronomical sign of the Sun (closer to the Elk's tail), and it just points to the planet Earth. The sacred sign of the Sun is also a co-image, an attribute of the Elk.

If you look closely at the inverted image of the Elk (Fig. 2), then, in addition to Aries, the Sun and the Earth (Taurus), here you can see a clear image of a pike with its characteristic stripes and fins. The pike, as follows from the "Calendar of Historical Eras", is also a sacred creature - the character of the Svarog Circle.

Why was she portrayed? In the ancient mythology of many peoples, a fish is a predictor of future cataclysms, as well as an adviser (in exchange for its salvation) on the subject of how to survive the coming difficult times. For example, the Avesta tells how the first man Yima simply caught a certain fish, which offered him a ransom for his release as a prophecy about an impending flood.

In the Russian folk tale "At the Pike's Command" in the processing of A. Tolstoy, this fish is of a definite sacred breed. This is the Pike, to which a whole epoch is devoted in the Svarog Circle. This makes it possible to attribute the event (flood) described in the Avesta to a more specific period of historical time, although it does not allow us to specify exactly which of the consecutive 25920-year periods this event falls on. Agree, the names Yima and Emel are clearly consonant. In the Russian fairy tale, Shchuka generously thanked the Russian Emelya for her salvation, making him a tsar, i.e. endowing with full power and did not at all foreshadow him any misfortunes. This is not surprising: the era of the Pike is always followed by the era of Ramkha, in simple words - the Earthly Paradise, and the Pike is not always a harbinger of cataclysms. The fateful prophecy in the optimistic retelling of A. Tolstoy is absent, since not every era of the Pike has a global flood. Only the names of Emelya and Yima are associated with the legend of the flood in A. Tolstoy. The same fairy tale in A. N. Afanasyev's treatment is closer to the legend in content in many details. However, to literary works, we, of course, have no right to present such strict requirements for compliance with a certain primary source.

Rice. 2 Inverted moose

In the Russian word "ancestor" one can clearly hear -schur, one of the meanings of which is "pike" (see Dictionary of VI Dal, 1882). In the original sense, our ancestors are our ancestors and ancestors, including those who lived before and in that dramatic era of the Pike, who died from that legendary flood, the memory of which is still alive after many millennia.

Was this cataclysm the flood described in the Bible? Unlikely. From the content of the book "Genesis", which describes the flood, it follows that this event took place after the creation of Adam and belongs to the era of Taurus, that is, it does not differ much in time from the era of the Elk itself. In this light, the image of the Elk on the stone appears as a kind of monument to the era of the Elk itself, and to all the ancestors who died from the greatest floods in the era of Pike and in the era of Taurus. Taurus itself and its attribute - the Earth - could have been depicted in another way, but the nameless sculptor chose the image of the Earth as a planet. Perhaps in order to emphasize the planetary scale of those catastrophes that have befallen humanity?

Was this monument created by contemporaries of the era of Elk, Taurus and Aries? Before trying to answer this question, consider photo 3, which depicts another Amur petroglyph - the wonderful Horse.

Photo 3. Petroglyph "Horse"

In photo 3, we see a screenshot of even two whole sacred images relating to two consecutive eras. This is the Horse and the Samsara Wheel that adorns the base of the Horse's neck. The wheel of Samsara - a replica of Finist the Clear Falcon - is (see Fig. 3. "Calendar of Historical Eras") a wheel with six spokes, symbolizing the beginning of a cycle of six active Biblical eras, falling on the "yang" phase of the biblical chronology.

These are Taurus, Aries, Pisces, Aquarius, Capricorn and Sagittarius, a series of which begins in the Vedic era of Finist. At the same time, the following Vedic eras, one after the other, begin to go into the passive "yin" phase: Phoenix, Elk, Tur, Fox, Wolf, Stork, Bear, Raven.

The Sacred Horse rushes in the circle of time to the end of its era, carrying on its back a change, the coming era of Finist, which rushes to its beginning astride this Horse in the form of decoration of its harness.

Judging by the same degree of preservation, the images of the Elk and the Horse on the stones were most likely made at about the same time, and not at all in the era of the Elk and the Horse, between which there are three millennia. When exactly, in what era, these images were actually made, it is difficult to say on the basis of images alone. More research is needed on the material of the stone and the soil of the area. It is possible that the age of the artifacts is relatively small, and they were created specifically to decorate any Vedic temple in the foreseeable past of several centuries. Perhaps, somewhere nearby, images and other symbols of the epochs of the Svarog circle were preserved on the stones.

4. Sister Fox and Gray Wolf

Examples from Russian folk tales are no less interesting. Acquaintance with the Svarog Circle allows you to consider in a fairy tale one or even several plots hidden from prying eyes. Let's turn, for example, to the fairy tale "The Little Fox Sister and the Gray Wolf". But first, let us briefly recall its content.

Pretending to be dead, Lisa found herself on a wagon with fish, which was carried along the way by a Man. Sly Fox thought to throw off all the fish from the cart and hide herself, taking all the catch. The Fox dragged the fish to her hole and was about to heal happily, but here the hungry Wolf is just running, he also wants fish. Give, they say. And you, Wolf, go to the river, put your tail in the hole, sit and say: "Catch, fish, both small and large." The fish itself will catch on your tail. The rustic Wolf went to the river, lowered its tail into the ice-hole and waited for the catch. His tail froze. In the morning the women came to the river for water, saw the Wolf, and well, beat him. I barely carried my legs and lost my tail. After a while, Fox and Wolf met again. The fox escaped after another robbery, and the simple-minded Wolf volunteered to take the cheat on himself. The Fox rides on the Wolf and quietly says: "The beaten unbeaten is lucky, the beaten unbeaten is lucky." The wolf asks what she is muttering there, and the Fox answers him loudly: “The beaten one is lucky! The beaten beaten is lucky! "…

The Fox and the Wolf, according to the Svorozhy Circle, are the essence of the names of two successive cosmic eras and the designation of the peoples living in these eras. Fox - the era lasting until galactic midnight, Wolf - the first era after galactic midnight, the beginning of the cosmic morning

… In the morning the women came to the river for water, they saw the Wolf … That is, once in 1620 years the morning inevitably comes, which marks not only the next coming day and year, but also the beginning of the next space age.

In the morning, the women came to the river to fetch water (recall that water is a simile of both the Fox and the Pisces), as always, in everyday life, all forgotten, not ready in advance to perceive the great event of the onset of the first morning of the next era. And … they saw the Wolf ….

Something similar was discovered by Jesus Christ when he arrived in Judea, where the people were “like sheep,” that is, behaved as if the era of Aries was still going on, and the next era of Pisces did not come at all. However, it was for this that Christ came to inform the “sheep of the house of Israel” about the coming of the next era and about how they should live further and what rules to adhere to. We emphasize that our common women did not need a prophet. They themselves quickly assessed the situation and beat the Wolf off. For what? Let's take a closer look.

The fox pretended to be dead … The era of the Fox corresponds to the kingdom of Mara - the goddess of peace, winter, pacification, minimal life resources. For this reason, Mara is sometimes called the goddess of death. Indeed, it is at the moment of least strength that a living creature most often lies in wait for death. But a wise tale reminds that Fox only pretended to be dead. For nature, death is always a private phenomenon, a necessary stage in the life cycle. Death is powerless before a living entity as such.

The fox got hold of a fish … The Vedic era of the Fox in time corresponds to the biblical era of Pisces. We are talking specifically about the cosmic eras. The calendar era of Pisces is often simply identified with Christianity, the New Testament, involuntarily camouflaging the fact that the historical process is not so much a consequence of the passage of time in the physical sense, i.e. calendar change of eras, as a product of the management of human society according to the political doctrines of historical eras. One of these political doctrines is the New Testament, which is approximately calculated for the calendar era of Pisces with a duration of 2160 years.

"Lower the tail into the hole, Wolf …" Ice hole, Jordan - an attribute of Christianity - the element of water. “Join Christianity and live satisfyingly like me,” advises the sly Fox. But water is not at all the element of the Wolf, it does not protect him, but acts very cruelly with him.

"The beaten unbeaten is lucky …" Christianity, of course, will not disappear overnight with the change of calendar eras. The Broken Wolf will have to carry on himself the melting spiritual heritage of the Fox era for a long time. The element of the Wolf is the heavenly swaga, in simple terms - the kingdom of heaven (see Fig. 3. "Calendar of historical eras").

Remarkable is the Man leading a cart of fish along the road, harnessed by a horse, a horse. The horse is also a sacred character of the Svarog Circle. This is a well-known image-symbol of the Russian people, repeatedly displayed in works of art from time immemorial. Here is the famous icon, called today "The Miracle of George about the Dragon", and no less famous sculptural groups of Klodt's horses on the Anichkov Bridge in St. Petersburg, dedicated, of course, not to the agricultural successes of horse breeding, this is the Little Humpbacked Horse from the tale of P. Ershov … The horse, like the Wolf, is not a fish finder, and therefore not its consumer. For this reason, Christianity cannot become forever permanent food for their souls, and fish cannot become food for the body. And therefore the peasant's hopes of stocking up on fish for the future also turn out to be empty. Fish disappears in the fairy tale along with the Fox, giving way to the next eras of the Wolf and Aquarius and their corresponding symbols. The image of the spiritually hungry era of the Wolf, who does not know how to fish further and feed (“feed”) on it, is not able to offer contemporaries something acceptable at first in return, until the arrival of the next messiah, beaten by the people for this, rises from the hidden content of the tale.

The image of the beaten Wolf also clearly echoes the apocalyptic biblical predictions that conclude the entire cycle of biblical books dedicated to the embodiment of the Babylonian plan, which gave its name to the greatest of books.

Summing up the discussion, we can say that the question of which "races" created these images and, on this basis, have any preferential rights to the respective territories, is not entirely correct in the film. Images of the same symbolic animals, and at the same time and everywhere on Earth, were created by all peoples, on the general calendar of which the corresponding era began. Historical epochs changed, along with them the symbols of epochs in the form of animals and plants, as well as their ubiquitous images, were replaced.

The documentary television film "The Secret Code of the Amur Faces" can be viewed by opening the website of the newspaper "For Russian Delo".

Svetlana KONDAKOVA, historian, participant of the VAE, St. Petersburg

Newspaper "Secret" No. 5 (72), 2015 5 (72), 2015

Literature:

1. Afanasyev A. N. Slavic mythology. M.: Eksmo, SPb.: Midgard. 2008.
2. Volansky T. Letters about Slavic antiquities. SPb., "Pages. world. ist. ", 2013.
3. Gusev O. M. White Horse of the Apocalypse. … LIO Editor. SPb., 2000.
4. Gusev O. M. Ancient Russia and Great Turan. SPb., "Hidden", 2012.
5. Medvedev V. E. Culture of the Amur Jurchens. End of X-XI centuries Novosibirsk. "The science". 1977.
6. Popov V. V. In search of the ancestral home of the ancient Indo-European people on the Lower Amur, or Save Perun Sikachi-Alyan. Khabarovsk. The Ark, 2011.
7. Myths of the peoples of the world. Encyclopedia. In 2 volumes. M., SE, 1991.
8. Turokh I. I. Carpathians and Slavs. An excerpt from the composition "Svarog". SPb., "Hidden", 2009.