Abomination of the West is not accidental
Abomination of the West is not accidental

Video: Abomination of the West is not accidental

Video: Abomination of the West is not accidental
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To change the outlook of a society, it is enough just to gradually shift its idea of a particular phenomenon in the right direction. This technology is very simple and effective.

Quite a lot of materials have already been written about the technology of Overton windows. The article How to legalize cannibalism described the technology itself, and the article How to break glass in Overton Windows provides recommendations on countering this social formatting.

The most recent trends that are being introduced with the help of popular culture are described in the article Overton Window: What ideas are going through the first stages of implementation.

One of the most striking examples was showcased by the Australian theater company Snuff Puppets.

What will happen in the minds of children, who will be shown a puppet show in which the body of a terrible woman decomposes, and her organs come out and play merrily with the kids?

According to the authors, a giant doll named Everybody (by the way, included in the Guinness Book of Records) is a simple and clear metaphor for humanity.

During a street performance, a creepy-looking child crawls out of a huge doll vagina. A huge brick hits Everybody's head, and the creature seems to die. In the course of the performance, she lives, as it were, a normal bodily life, eats, defecates, cries, decomposes. Funny organs - intestines, eyes, heart, and so on - jump out of the dying body and dance with the children. This takes about six hours. The performance, according to the authors, symbolizes emancipation, liberation from prejudices.

In Australia, judging by the public reaction (see video), the Snuff Puppets aesthetic is a success, and people enjoy dancing with their guts or being poured with some kind of liquid by a puppet's dick coming from somewhere. An emancipated society rejoices when it is shown in a fascinating way that in an enslaved society it is customary to cover up with clothes, rules, and morality. A free, modern person should see shame and not be ashamed of demonstrating it, apparently, says the creative person Freer. Because there is no shame. Because innocent little animals, to which people also belong, having no shame, copulate, crap and devour each other, without bothering with existential questions and decency. So living is fun, free and good.

Links in the same chain: public dismemberment of the wolf, dolphin and giraffe in front of children, gender education of boys from girls and other values of the West.

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All this is not an accidental creative self-expression of individual degenerates, but a systematic program to create a society of service people of the "progressive" West, moreover, the creation of service people was openly stated in the Federation Council of the Russian Federation.

The human body has billions of cells, numerous organs with their own specific functions in which the most complex physiological processes take place.

The social organism of planet Earth is no less complex and diverse. Peoples, cultures, traditions, public and international institutions … But in contrast to the cells of the body, that every healthy person, to the best of his ability, is able to withstand the external influence that molds him into a "service person". This impact can be both latent and open.

An example of a hidden effect is the addition of human flesh to food, as a result of which the mass consumer, without suspecting anything, uses it in the composition of food products of world brands.

An example of open influence is such public abominations that take place under the veil of educational or creative events.

How do you think passers-by in a large Russian city would react to such a puppet show?

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