Everything is secret, it becomes clear

2024 Author: Seth Attwood | [email protected]. Last modified: 2023-12-16 15:55

A fool and boasting cannot keep secrets,

(Avicenna (Abu Ali ibn Sina))

Everything secret sooner or later becomes apparent. And this is good, because it is simply unthinkable for the development of mankind, for the sake of its progressive movement towards the acquisition of truth, to keep peoples in the darkness of their relative past. Of course, many rulers are ready to continue pouring misinformation into the masses, but how long will they last? As a rule, a lie, hidden in the old days, slides, like cheap gilding, from icons and crosses, which are now sold at any temple, and what has been carefully hidden from the sight of many generations is exposed. Previously, this required centuries, which made it possible for people to realize this or that law, refute a false statement or defend the truth.

Today, in the age of communications, when many people have taken up history, and not the chosen "cattle breeders", they are the shepherds of sheep - worldly souls, a new effect for mankind has emerged to accelerate any investigation. It is associated with the emergence of the Internet and the possibility of uploading a lot of information to it, with which it is simply not realistic to fight. Of course, not all information is so interesting and useful, say, for me, a researcher of the epic of Russia, but there are other areas of search. For example, political scientists of the future, based on a review of the social pages of our time, will be able to determine exactly what our society at the beginning of the 21st century hurt, because for the first time in the history of the world, it became possible to read not only the official versions of statesmen, but also the opinions of any representative of the people, good, nothing that gets on the Internet is never lost. I am not very versed in computer memory, but I see its progressing development and I am sure that soon, information carriers will become completely different tools than now, since technologies already allow to do the impossible. Whatever one may say, the computer is the invention of mankind, which is akin to the invention of the wheel. Be it in the Middle Ages or Maya times, the peoples would worship him in temples. I say this from the experience of the history of religions and communication with the holy fathers, who gladly adopt any technical novelty that is useful to their profits and the income of the church itself.

After that, the novelty is used to further falsify history, because the churchmen have something to hide, because there is no organization in the world that has committed more crimes against its people than the caste of priests, of any denomination and direction. Among absolutely shameless professions, the author especially wishes to single out professional believers and historians. That the first, that the second, a real disaster for the Russian people and I am an Old Believer-Qatar, I am ready to talk about this from miniature to miniature, because knowing about these deeds of the "chosen ones", I no longer have the strength to remain silent. Of course, it is worth mentioning a couple of affectionate ones about those in power, but they are still, in comparison with the previous categories of deceivers, all the same affectionate calves. Although all this trinity works in the closest conjunction and there has not yet been a case when they would not have collided.

I happened to take part in one war in the East. I won’t say exactly where, and there’s nothing to do with it. Moreover, this war was not the first and not the last in my life. May my problems remain with me and the marks from those times on my body the same. This country is most interesting, both culturally and historically. Many events took place there, which historians do not write about today, preferring to remain silent about the real facts of antiquity.

I had to visit a local museum, where I was shown an interesting selection of illustrated editions of the 19th century. What I saw amazed me, and I asked to make copies for me. Today this is not a problem, but then, it took time and equipment, which the museum did not have. When I managed to re-visit this museum, I was told that this file was stolen by allies, soldiers of one of the NATO countries. Don't be surprised, reader, in Russia anything can happen, after all, we fought with the Chinese, and now we are friends. Engravings from that edition in French (or rather Flemish) were etched into my memory. I knew the numbers and release dates of these newspapers, but despite inquiries from different countries, I could not find these documents.

I was offended, to the point of impossibility insulting that I, having seen with my own eyes documents that could prove to the world that the city of St. Petersburg stood in its place long before Peter, I can not present anything to the public as evidence.

I must say that I have a special relationship with Peter. This is the city of my youth, I studied there at a closed university and I am perfectly aware of my gratitude to him. Even in my youth, I am carried away by the efforts of my father, history, found many inconsistencies of the official version of it with the real facts of this city. As time went on, I was completely disillusioned with history (as not science, but mythology), and realized that it was simply necessary to find a different way in illuminating the past. From that moment on, I determined this path for myself and, avoiding the word "Is Torah Ya", I took up seriously the epic of the Russian people. I have written more than 400 miniatures on this topic, where I reveal the multiple falsifications of historians and priests. Some of them were given to my Peter, and I even called the real name of this city - JUPITER. This is not just a city, it is a pantheon of God named Rod, or in the Greek-Roman version, Jupiter.

Today's miniature is also dedicated to him. But starting my story, I want to end the story with that edition of the 19th century, which I saw in a distant country in the East. Today, after many years of useless searches, I received these documents from a very good friend of mine, who, knowing that I was interested in Peter, sent me these materials by mail. I was amazed, it was these materials that I saw in the East. Moreover, their location did not surprise me. They bear the stamp of the University of Michigan library … Allies, edri them to the root and meaner !!!

Well, now to the point. We begin another disclosure of the falsification of the history of my Leningrad-Peter-Jupiter-Nut-Babylon.

It will be about the monument "Millennium of Russia". First, the official version.

Monument "Millennium of Russia" - a monument erected in Veliky Novgorod in 1862 in honor of the millennium anniversary of the legendary vocation of the Vikings to Russia. The authors of the monument project are sculptors Mikhail Mikeshin, Ivan Schroeder and architect Viktor Hartman. The monument is located in the Novgorod Detinets, opposite the St. Sophia Cathedral and the former building of the Public Places.

The monument is a giant ball-orb on a bell-shaped pedestal; the general outlines of the monument are bell-shaped (according to some assumptions, it was intended to "bring the good news to the descendants of the heroic past of Russia"). Six sculptural groups are installed around the state. The total height of the monument is 15.7 m (the height of the pedestal is 6 m; the height of the figures is 3.3 m; the cross on the orb is 3 m).

The diameter of the granite pedestal is 9 m; ball-orb - 4 m; the circumference of the high relief - 26, 5 m. The weight of the metal of the monument - 100 tons, the weight of the bronze casting - 65, 5 tons (sphere-orb - 400 pounds; colossal figures - 150 pounds; cross on the ball - 28 pounds).

The monument contains 128 figures in total.

An amazing structure, isn't it? However, I will not dwell on the entire monument, but only on the upper part of it, giving the reader the right to independently study this half-truth monument, if he wants to do it.

Today historians and churchmen claim that a group of two figures - an angel with a cross in his hand (the personification of the Orthodox Church) and a kneeling woman (personification of Russia). This group is installed at the top of the orb (the emblem of royal power), crowning the composition. The state is decorated with a relief ornament of crosses (a symbol of the unity of the church and autocracy) and is surrounded by the inscription: "To the accomplished thousand years; the state of Russia in the prosperous reign of Emperor Alexander III; that 1862".

Anyone who has read some of my works knows that I claim that in the Kazan Cathedral of St. Petersburg, in the burial in the wall, where MI Kutuzov is supposedly buried, there is a completely different person. There is buried MARY THE MOTHER, the mother of Jesus Christ. Those who wish themselves will find in my possession a miniature entitled "Under the canopy of an eagle and the guard of a field marshal." In it I touch on the issues of heraldry and explain my position quite convincingly. I also explain how this substitution took place. But why, I will tell you already in this miniature.

In the meantime, to the monument in Novgorod.

It is absolutely impossible to trust the Romanov historians. After the Romanovs usurped the power of the Russian-Horde emperors of Great Tartary, they began to clean up the entire Russian epic. The manuscripts were either rewritten anew, or simply destroyed, if there was no possibility of falsifying them due to the abundance of material that went against the version of history they had invented. My fellow believers, Old Believers, call the Romanovs and their church Judaizing Lutheranism. With the arrival of these false tsars, in Russia, a general sweep of everything Russian began, architecture changed, dates were rearranged and frescoes in cathedrals and temples reminiscent of the Great Tartary were massively knocked down.

This state of affairs was observed throughout Russia and was of a systemic nature. Romanov Germans, who brought to Russia a completely new religion, modernized Judeo-Christianity.

Before them, Russia confessed, first, generic (Semeiskoe) Christianity, and then apostolic. What is the difference, I have already explained in other works. This generic Christianity is now called paganism. In fact, there has never been any paganism in the history of Russia, but there was faith in God, Good or Kind. These names mean the same thing, only read in accordance with the rules of the Glagolitic alphabet, on the contrary. The antipode of Good was the god of Evil, he is the fallen angel Sataniel. His name, if you read it the other way around, using the same verb, means FALSE. That is, EVIL is LIE. Today the Glagolitic alphabet is practically forgotten, but I dare to assure the reader that with certain skills, you will be able to freely read these texts, which priests now consider to be adorned with ligature on the frames of icons. Nothing complicated, just a little training and any temple will reveal its true purpose to you, if it is, of course, ancient, not Romanov.

Ancient temples were generally built in the Gothic style or in the Roman-Greek style. Everything else is the buildings of the Romanov era. The only exception is the Russian architecture of the Golden Ring of Russia. But it is also close to Gothic. Even the Cathedral of St. Basil the Blessed, built by the Italians, has a completely different purpose than a temple for prayers. This is primarily the tomb of Ivan the Terrible, and secondly, it is the Imperial Treasury Repository. However, you can change places, this statement, because since the time of the Romanovs, there was no treasury there, despite the ideal conditions for this. I wrote about this in other works. By the way, the pyramids of Egypt are also the keepers of the imperial treasury, and at the same time, the FUNERAL of the Russian tsars.

Returning to the monument, I argue that the upper composition (the figure of an angel and a kneeling woman) depicts Mary the Mother of God and an angel, and not symbolic Russia. And the monument itself was previously located in a completely different place and was simply dismantled, and then transported to Novgorod on the Volkhov (in fact, Lord Veliky Novgorod is a collection of cities in the Golden Ring of Russia), where it was thoroughly redesigned. A completely different pedestal and three tiers of figures were added to it, two of which (lower) were altered, possibly by the "authors" indicated in modern reference books, as the manufacturers of this monument.

There is no doubt that it is Mary who is depicted on the monument: on her head she wears the crown of the wife of the Byzantine sevastocrator, and on her dress there are numerous embroideries in the form of the coats of arms of Byzantium and Russia. Today it is almost impossible to find a detailed image of an angel and Mary, but I found it. All that was said was confirmed. Before us is the Russian princess Maria the Mother of God and an angel telling her the Good News that she will be the mother of Jesus (Andronicus Comnenus). By the way, the angel blesses Mary with a DOUBLE FINGER, which is not possible a priori, if we assume that the monument was made in the Romanov times (1862), when the THREE-FINGER was introduced in the Russian Empire for about 200 years. That is why it is almost impossible to find photographs of an angel with a cross and Mary in detailed photographs. Likewise, the ligature of crosses on the orb, on which the angel and Mary stand, is nothing more than the old Slavonic course of the VLAGOLITS alphabet, which today's priests take for an ornament. The inscription about Emperor Alexander, obviously a late forgery and made by the CYRILICE.

This ancient monument was falsified on a huge scale and with the greatest cynicism. There are a great many such monuments in Russia: the Bronze Horseman, a monument to Suvorov in St. Petersburg, Minin and Pozharsky in Moscow, almost all equestrian-sculptural groups on Anichkov Bridge and in general on Nevsky Prospekt, on the pediment of the Bolshoi Theater of Moscow and the Arch of the General Staff in St. Petersburg, a monument to Duke Richelieu in Odessa, and a monument to Vladimir the Baptist in Kiev. You can't list everything. All these monuments were taken from modern St. Petersburg and converted (in some cases they simply changed their heads) spread throughout Romanov's Russia. They were credited with the authorship of all overseas sculptors.

The monument discussed in this miniature in Novgorod is no exception. He was previously located at the Kazan Cathedral in St. Petersburg, from the pediment of which, the sculptures that prevented the Romanovs from carrying out falsification were also removed, since they simply shouted about who the Kazan Cathedral was put to. And when it is delivered, as well as when it is built. According to my data, this is the 14-15th century, possibly even earlier. But not the times of Voronikhin.

On August 15, 1941, the Germans entered Novgorod. German General von Herzog, who served at the headquarters of the German army that was besieging Leningrad, ordered to dismantle the Millennium of Russia monument and take it to Germany, deciding to make a gift to his friend at home. In the winter of 1943-1944, dismantling work began. By rail, they managed to take away the bronze lattice by Professor Bosse that surrounded the monument, as well as the bronze lanterns of artwork that stood around it. It was not possible to take out the dismantled monument to the invaders. On January 20, 1944, Novgorod was liberated by Soviet troops.

By this time, the monument was a completely bare pedestal, on which the lower half of the orb-sphere remained. Its upper part was dilapidated. Colossal figures that previously surrounded the ball were scattered around the monument. At the same time, many of them turned out to be damaged: a three-meter cross, which stood on a ball-orb, was cut down at the base and bent into an arc; the bronze mountings were hacked or torn from their places everywhere. Such small details as swords, swords, staves, shields, etc. disappeared without a trace.

The Committee for Architecture Affairs under the Council of People's Commissars of the USSR and the executive committee of the Leningrad Regional Council of Working People's Deputies decided to restore the monument in its former form in the shortest possible time, and among the first objects of devastated Novgorod. This was done by the Leningrad Regional Department of Architecture. “A narrow-gauge track was built to move and lift the figures, and scaffolding was built around the monument to put the figures in their places, and the necessary devices were made. It took more than 1,500 missing parts to be made.” The monument was restored by November 2, 1944, after which its second grand opening took place.

Apparently, this is the time of the main alteration of the monument and the introduction of figures from the current official history into it. It was then that Peter, the Romanov enlighteners and leaders of their church would appear there. Obviously, according to Stalin's personal decree, the restoration of the monument was done too quickly. In my opinion, both real sculptures and sculptures made in the 19th century and Stalin's "wise" traces of history are mixed there. It should be remembered that it was Stalin who was the creator of the modern ROC, which he established by decree in 1941. Before this date, no ROC existed, but there was the Russian Orthodox (Orthodox) Catholic Church. The word catholic (Russian version kaFolicheskaya) means the UNIVERSAL church. This is the Greek version of the religion. But before her there was a Byzantine rite.

Today, few people know that at the base of the monument there is a small room in which, in 1990, stalactites and stalagmites were accidentally discovered, as well as a staircase, forgotten, supposedly in the 19th century.

Today I am sure that Mary the Mother of God died in the Crimea, in Chufut-Kale, in a monastery in one of the grottoes, since the monastery was rocky. I do not exclude that this room is nothing but the TOMB OF THE MOTHER OF GOD, and there he was for a long time. Her remains were transferred from there to a grave in the wall, where Kutuzov is supposedly now, to the Kazan Cathedral. Stalactites and stalagmites are the "interior" of Mary's last refuge in the Crimea. I can't say anything about the stairs. Perhaps it is from the 19th century, when the monument was already mounted in Novgorod. The monument was dismantled in 1813 and the square in front of the Kazan Cathedral took its modern form. Where the monument was located before 1863, I do not know yet, but I suspect that it is at the mint of the Peter and Paul Fortress, where rarities from all over the city were taken for the sake of alteration.

However, before the construction of this monument on Nevsky Prospect, this square, and the Nevsky Prospect itself, had a completely different look. Which? About this in the next miniature, about the falsification of the history of the city of JUPITER.

To prove what I have written, I publish the first engraving from a Michigan illustrator I received. And the reader will find the converted monument in Novgorod under the name “1000th anniversary of Russia” himself. The author does not have the slightest doubt that this is one and the same monument. The reader who independently compares these structures will not have it either.

I repeat once again, this monument was erected to Mary the Mother of God and today's religion in Russia is completely alien to the Russian people. Our ancestors did not know anything of the kind and did not believe anything like it, although they were real Christians, who were destroyed (almost destroyed) by representatives of the Latins who crept into Russian life and faith with the advent of the Romanovs. Today in Russia the Vatican rules, with petty and insignificant disobedience of the ROC. There is such a confusing and complex control system that I still have to figure it out. By the way, other Christian churches of the former USSR are no exception.

Now, I must explain the reason for the massive falsification of everything related to Russia and the Kazan Cathedral in particular. The real biblical story catastrophically (for the Romanovs and their church) differs from the official version. To recognize the burial of Mary the Mother of God in the Cathedral means to recognize that the cathedral itself and the entire city were built long before Peter, and the entire "golden age" of Catherine, the most common invention. In addition, it turns out that Christ and his mother are immigrants from Russia and there is nothing Jewish in them. And this means that the end of the Bible is coming, as a book of falsification of Russian history, and indeed the end of lies of Judaism and Catholicism with its derivatives. Well, as a particular, it illuminates the coming to the throne of the empire of the Romanovs, as usurpers of the power of the Ruriks and henchmen of the Vatican, who perverted not only the epic of Russia, but also brought a faith alien to it. Moreover, it was consolidated by the introduction of the Bible into Russian Orthodoxy in 1863, which was previously considered a harmful book.

That's all for now. Look at the photo and judge for yourself. In the meantime, I will prepare the continuation of my miniatures about Peter. The engravings are so interesting and so unexpected that it takes time to comprehend and translate the text. However, the very first glance at them, unequivocally rooted in my thoughts, I have been on the right path all these years.

Therefore, be patient, my dear reader, and wait for the sensations, one of which I am publishing today, as an announcement. I think this way: many officials will have to scratch themselves from these revelations, but I am sure that there is no conscience there for a long time. Therefore, they will respond with another silence to the exposure, just as the construction of the Egyptian pyramids from geopolymer concrete was silenced, using the formwork method. However, the water wears away the stone. There are already a lot of people like me, and sooner or later the secret will become clear, as I said at the very beginning of the miniature.