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Ominous Hollywood Templates
Ominous Hollywood Templates

Video: Ominous Hollywood Templates

Video: Ominous Hollywood Templates
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Who are "psychiologists"?

Have you noticed that almost all Hollywood films follow the same pattern? And it seems that something new, bright, original is constantly coming out, but a strange feeling of déjà vu does not leave you, as if you have already seen this plot and these heroes more than once.

From film to film - the same hysterical woman, the same stupid man, the same pumped-up positive hero, a maniacally possessed enemy with a disgusting Russian accent, a cheerful black guy who dies first, an Asian drug dealer, funny gay, cool unshaven drunk.

The same predictable situations, the same reactions to them, the same type of behavior, an exclusively forceful method of solving problems, no doubt, a strict sequence of events. It's like all these films have one author.

It's like walking in circles and cramming the same lesson over and over again. All these films are so far from life that watching them is like looking into a distorted mirror with a distorted, disfigured reality. And again you leave the cinema with a feeling of deception and falsehood, and with an additional weight of some incomprehensible feelings, you cannot characterize them, something unpleasant, as if you were a witness or an accomplice of something nasty, bad. Some processes are launched in your head, you feel, but do not understand and do not control them.

You probably know that whole teams of psychiatrists and psychologists are working on the scripts of modern films. I call them "psychiologists" - professional brainwashers. Programmers, sysadmins and hackers for cracking the psyche. These are the real authors of almost all modern films. And not even they themselves, but the formulas and schemes invented by them, with the help of which it is possible with mathematical precision to create multimillion-dollar blockbusters with an even higher box office. And then, having mixed the same models in random order, again get ready-made scripts for "new" hits at the output. It is a waste-free machine for the production of a spectacle, which, with the cold calculation of a computer, has calculated and calculated all the features of the human essence. Everything except the soul.

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And now another "dead" film falls out on bright posters from the endless conveyor of an industrial entertainment machine. You sit in a comfortable chair, the lights go out, you are mesmerized by the picture, and your psyche is at this time in the hands of dangerous manipulators, tightly tied to a chair in a dark basement during a suggestion session with experienced recruiters. Yes, they are true masters of their craft. They program us for our own money. All these corporations with a monopoly on legal drugs, the media and spectacles have something in common, they all have the same propaganda methods, they are so primitive and simple that their elementality can only be surpassed by their effectiveness.

Keys to Movies

So what attitudes do psychiologists introduce into our heads while we are “relaxing” in the cinema or in front of the TV screen? Here are some examples. I propose to consider films by genre, but not as an ordinary consumer, but from the standpoint of a decoder who deciphers an intercepted coded message in the occupation of the enemy, in the midst of an information war. If you watch modern cinema, that's the only way. But for this we need the keys to the code. And I have a couple, but I want to play the same game with you … This is an exciting and very intellectual game, forget about crosswords and Sudoku, I suggest that you take your brains into a really important business - each player will find their own keys to decipher the opponent's code and share them with the rest of the "fighters". Imagine that we are playing Fort Boyard with the whole country, only together we can stop this global fraud, let's finally put an end to their insidious plans. In fact, we can destroy and crush them in an instant, think, it's not as difficult as it seems. Do not underestimate the enemy, but do not overestimate his capabilities either. If everyone knows the secrets of their tricks, no one will buy these cheap tricks. People will just lose interest. We can make all their gimmicks useless. We just need to be ahead of them.

And this is what I mean. To begin with, I offer you my keys, which I picked up for some films. Let this be the start. I do not presume to claim that they are completely correct, so you can correct me if I am wrong. Perhaps it is your keys that will be a stronger information weapon, let's collect all the "artifacts" necessary for victory.

But before starting the game, I will tell you one more important detail that you definitely need to know when decoding the code: in each film, the viewer also has a role to play. And first of all, you need to guess what role psychologists impose on you in each specific film, this will protect you from programming. So:

Genre: Horror

Message: "Run away from any problem!" Key: a monster, a ghost, an alien, a man with a shovel - these are encrypted problems that arise in our lives. Your role: you are either the guy who dies first, or the only one who survives. Make a pseudo-choice.

Now let's look at horror films from this position. On a dark night, a little pale girl is alone on the road. You stop the car. “Are you lost, poor thing? Sit down, I'll take you home. Yeah, now … Everyone knows this is a trap. Those who did this were always either eaten, or deported to hell, or raped by a space monster. Correct option (from psychiologists to your subconscious): speed up! Turn up the speed, guy, or better just in case, run the car over this creature and gas, gas a couple of times! Run away, why do you need these problems, this is a little girl!

Or you suddenly bump into a strange woman and start asking, “What are you doing here? At night. In the sheet. Behind the curtain. In my basement … No? Correct option (from psychiologists): get out of the house! To the nearest airport and to Mexico !!! Save yourself, you fool. It is not in vain that they stretch this moment, when the main character slowly descends into the basement, pulls back the curtain, and we see that the monster is already behind him, and he still goes to the darkest corner. At this time, your subconscious being in the “torture chamber” shouts: “Run! Don't go there, there are problems !!!”

And what is interesting, in the only Soviet horror film "Viy", Foma all three nights without leaving his place was faced with his problem. In fairness, I must say that this did not save him (and this is the whole horror), but the message of the film in this vein is absolutely opposite to the modern one. Solve the problem, don't run away from it.

Genre fiction

"Relax. Batman will save you. " Key: a superhero is an unconditionally positive force that will solve all your problems - the state, the system, the elite, the army. A supervillain is an unconditionally negative force that creates all your problems - any other state, enemy, enemy, alien system and ideology. You are a guy who fell out of a skyscraper.

You do not decide anything and do not influence the course of events, you fall out of them. But you won't crash as long as you have Superman next to you. A message from psychiologists: you are a small person, and therefore you must be looked after by a super friend who can be trusted with your life without hesitation. Your role is to just watch what is happening, stand aside and not interfere.

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You might argue: no, my role is the superhero, because we all have to look up to him. What naivety. I had a friend as a child, he blindly believed that one day he would learn to shoot lasers from his eyes. He is now an alcoholic. But most of the children understood perfectly well: a superhero knows better than them what to do, and he does everything right, always wins, he will decide the fate of a city in trouble and the whole world (because he is good). And the task of ordinary people is to go out in a crowd to the square of the destroyed city at the end of the film and to thank their hero for everything he has done for them to the solemn sounds of the "Banner strewn with stars". All ideal citizens do this. Their homes no longer exist, but they understand that there is no other way to defeat evil. Their friends and relatives died under the rubble - this is the price for justice. And they again and again wipe their sincere tears of affection, looking at the wide cheekbones on the strong-willed superface of their savior.

And here's another key for you: "Superpower" - power … Once the main character receives it and immediately becomes not like ordinary mortals. He can do what others cannot. For example, wear underpants over a leotard. Joke. He can move by air, solve state problems, he is always in the center of events, fights against criminals (mainly robbers and hooligans), the police salute him, he has his own headquarters, he always has an enemy, he smashes entire armies, and at the same time he is a simple, modest guy with glasses and a tie.

We are taught to love superheroes not for their human qualities, but for their superpowers. Who would superman be without his power? A costumed clown in shorts. The maximum that could be filmed about him is a comedy. Look at all superheroes like they don't have superpowers. Whom do you see? Latex freaks in tight clothes. One is climbing the wall, the other has a knife sticking out of his hand, the third is writhing from radiation sickness, the fourth has a green muzzle in general, the fifth is running around the city with a sword, some woman in a leather suit with a tail. What the … All have masks, all are not who they claim to be, everyone is constantly in conflict with someone, no one lives in harmony. These are politicians. Take away the power, authority and protection from the politician, and who will you see? A funny fat screaming man who only promises and deceives. Such people are ruthlessly beaten in the street.

A message from psychologists: love, respect, fans and obey the authorities. And if you look at the country of origin of such films, it is not difficult to guess whose specific power is meant.

Genre: Comedy

There is generally an immense field for manipulation. Laughter removes protective barriers in the psyche. What we laugh at automatically ceases to be taken seriously. Now look at what we laugh at: funny drug addicts, funny drunks, funny murders, funny robberies, stupid cops, homosexuals, prostitutes and asses, in a word, all shamelessness, disgrace, vices, degradation - these are the keys to this genre. Just after each funny scene choose from these keys, 99% of them will do.

But let's find a role for you. Here we are also manipulated with the help of pride. You look up at all these idiots and laugh at their stupidity. What fools they are! You are not like that. In fact, if you watch any modern, youth comedy, pay attention to the most stubborn, most worthless, dumbest character. It is you. This is how the creators of this film want to see you. Don't disappoint them. Laugh. Laugh heartily.

Cartoons

And of course the tiniest bit these are cartoons. You will find everything here. Children are the priority task of psychologists, because the slag that they pour into a person in childhood, he will carry with him throughout his life. Children are gullible, unconscious, easily suggested, they have no knowledge and life experience to protect themselves from manipulation.

Watch any modern cartoon mindfully. You will gasp. You will see the wildest stupidity, mixed with sophisticated cruelty, ugliness, primitivism, highly distorted reality, degradation crushing the development of a small person in the very beginnings, the absence of critical thinking, room for your own thoughts and truly positive characters. Someone will say: "but this is just a cartoon, you shouldn't take everything too seriously." Just look at our sick society, and you will understand the seriousness of the work of psychiologists.

We are deprived of our choice since childhood, the human psyche is arranged in such a way that we will definitely take someone's side. Even if unconsciously. Once upon a time we were all deceived, and we sincerely worried about the mouse tying explosives to a sleeping cat.

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