Artifacts of St. Petersburg
Artifacts of St. Petersburg
Anonim

A Lithuanian sculptor, a professional stone cutter who has been working with granite and marble for more than 20 years, studying St. Petersburg products allegedly made in the Peter's era, came to the conclusion that the peasants could not do this. This is not at all the level of technology that official historians talk about.

The first three photos are marble, 1860. I see only machine milling (it's impossible to do this with your hands) - and very good preservation. In the second photo, the marble monuments are identical.

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Marble monuments have been standing on the street for 200 years almost like new ones - and the wear of granite, which is much stronger than marble, is very strong - for granite to be so smoothed by temperature extremes, at least 1000 years must pass …

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In the right corner we see the famous piece of granite - there are such small inserted pieces everywhere - both in Latin America in megalithic structures and in pyramids - I also found it in St. Petersburg.

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Here I see the untimed holes from the robot car near the collar. This is 5d CNC milling.

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This is done in our time on numerically controlled machines - 5D milling:

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The weight of a granite block is not less than 3 tons - and look what kind of 5D machine MILLING here - is it done by hand?

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According to the figure, these columns have 3 options - when they were mounted, they interfered in places - and so this is pure 3D milling with CNC.

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Only 5D milling drills LEAVE SUCH TRACKS - here, too, they were allowed to hide after the sculpture was made.

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The entire Hermitage was painted with such murals - which carried information about the Great Empire - but we are forbidden to know this - and therefore everything was painted over and hidden. As I noticed it is just a miracle …

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KILL ME AS A SCULPTOR - HANDS CANNOT DO IT.

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… Such a carving on marble could have been done - but no more.

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This is the type of work of the same period - also marble - and also with my hands to do so - I doubt very much.

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Everywhere you can see how the drill went - if it is cut with all sorts of chisels - the traces will be only flat everywhere.

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Such sandstone bas-reliefs could be cut out with a sharp knife.

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But just such a vase with our hands - now in the 21st century we only do this on CNC-controlled machines - Danila Masters could hardly have done it.

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This is the type of Vesuvius filled up with ashes - and as we see the columns are HOLLOW - that is, then the COLUMNS were easily CASTED.

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BRONZE AGE - carved details from GRANITE and drilled holes very neatly.

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Another photo with chiseled GRANITE balls. Holes were also drilled in them with the help of such DIAMOND bits. On one of the balls, you can clearly see that they started drilling, but they threw something. Where did such instruments come from in the STONE Age - these balls from Lithuania.

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ALL circles of chain mail of the same thickness wire and all circles are drilled HOLES and rings RIVETED - it means that the DRILL WAS THICK WITH A NEEDLE - this is the 12th century.

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Here, each ring has such the same configuration that this can only be achieved by stamping with a machine.

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Here, each ring in a circle has some kind of inscription:

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2D milling --- on wood, but similarly done on marble-granite.

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But the 21st century - 5D milling is a CNC machine --- we have one in our city and does different things.

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ALL parts are manufactured in Lithuania by AKMI - 5D MILLING on CNC machines.

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Our time - the machine is controlled by a computer - diamond-coated drills.

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Was this house for starlings also made by the very ancient Egyptians? Moreover, with a BRONZE instrument? Try to chop GRANITE with a bronze chisel - you won't chop anything off - all the more so to do that.

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Raimis Dzimidavicius

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