The sacred meaning of lullabies

2024 Author: Seth Attwood | [email protected]. Last modified: 2023-12-16 15:55

There have already been thousands of different events in your life, but this is exactly what you will always remember. For your consciousness and subconsciousness, this feeling is the most important. The feeling of all-consuming love and tranquility, which is associated with the first song you hear - the lullaby The world is changing rapidly, often not for the better. Your baby is completely defenseless in front of the surrounding world. You, parents, are the only barrier between your little man, still clean as a sheet of paper, and a bunch of adult uncles who really want to paint this blank sheet of their own accord.

Let's define a little, what is a real lullaby?

The Russian people had their own rich culture and thousands of years of history long before the arrival of Christianity. The wisdom of the people accumulated over the centuries passed through generations in figurative and oral form. From senior to junior. As in nature, when a baby is born, he first needs a mother, she protects him, gives him food, licks him, teaches the necessary things.

A little later, the father joins in, and the parents together teach the kids to survive, hunt, and continue the race. A person is born. How can mom talk and communicate with him? - With the help of some subtle vibrations, voice intonations, a mother or another kind woman can convey to the little man a huge array of information about the world around him, tune him in to understand and appreciate the beauty in this complex world Even before birth, even when the little man is in his stomach, he already hears and feels everything! Much has already been written on this topic, search, read - it's interesting.

Obviously, real folk songs and voices resonate with our body, because they originated from our body, from the body of the people. In any other organism, such songs cannot arise in principle, so we understand this without words, this is just ours as it is. There is a myth or legend that in ancient times, in time immemorial, near the Egyptian city of Thebes there was a huge statue - the Colossus of Memnon. She was holding in her hands the so-called Aeolian harp. Every morning, at dawn, the harp made the sound "la". The Theban musicians tuned their instruments according to it. This miracle served people for several thousand years until it was destroyed.

But how did the ancient masters know the closeness of this note to man? After all, humanity began to determine the length of sound waves relatively recently. The answer is simple The first cry of a newborn, announcing its appearance, in terms of its height (frequency of the sound signal), regardless of gender and race, turned out to be the same, with a deviation of no more than 3% and equal to 440 Hz. on a frequency scale, or exactly 440 vibrations per second! That is, the note "la", the first octave, when building musical instruments.

Modern visualization of the impact of sound on the environment:

The basis of the functioning of any system is wave processes. Let's try to determine what vibration frequencies are closest to the human body as a living dynamic system. It is known that if the length of a body coincides with the entire wavelength, then such a body in relation to it is a full-wave vibrator and absorbs this wave. This is of decisive importance in resonant isomorphism phenomena.

If the body coincides with half the wavelength, then it is a half-wave vibrator: it both absorbs and emits it. If it is a quarter wavelength, then a quarter wavelength - it only emits.

It is known that all tuning forks absorb and emit one note - "la". Why? Obviously, it's all about the wavelength of the sound. To find out the wavelength, you need to divide the speed of its movement by the frequency. The speed of sound in air is 343 m / s. Divide by 440 Hz. Thus, the wavelength of the sound "la": 343/440 Hz. = 0.77954 m.

Consequently, a full-wave vibrator, in relation to it, should be approximately equal to 78 cm. But this is the average length of the spinal column of an adult. And, therefore, a person is a tuning fork, in and of itself. Little of. The width of his chest is half the length of this wave, and the distance between the auricles is a quarter! That is, with at least three of his parameters a person is tuned to the note "la", like a vibrator.

In the spectrum of the human voice, this sound remains fundamental for life. A person grows - the spine changes. Let's trace the changes in critical periods of a person's life corresponding to a series of Fibonacci numbers.

At 5 years of age, the spine, in comparison with the original, is lengthened twice. The first octave of the voice is formed. The little man is entering adolescence.

At the age of 13, the length of the spine becomes three times longer. Adolescence ends. The range of the voice represents the sequence: reference tone (1) - octave (2/1) - quantum (3/2). It is thanks to the quantum that we believe that a teenager is having a "breaking" of the voice

Next is youth. By the age of 21, the quadrupling of the spine is completed. With the end of adolescence, the formation of the body, in general, is completed. The vocal range has expanded to two octaves (4/1)..

They say that great poets are, against their will, seers. After all, Vladimir Mayakovsky, not knowing all these subtleties, called his poem "The Spine-Flute" with some poetic insight, in which he declared: "Today I will play the flute. On your own spine."

The resonance of oscillatory systems is a well-studied and understood phenomenon in physics. If you excite a tuning fork at a frequency of, say, 440 hertz and bring it to another, unexcited, tuning fork with a natural frequency of also 440 hertz, then the latter will also start to sound. In this case, it is said that the second tuning fork caused the first to resonate. The physics of resonant interactions is equally applicable to biological systems. (that is, to the child).

Otolaryngologist Alfred Tomatis was the "first" to systematically investigate the effect of high-frequency sounds on the human psyche. According to his theory, a child, swimming in the amniotic fluid during intrauterine development, hears a lot of sounds that after birth become inaccessible to him - the mother's breathing, her heartbeat, voice, noise from the work of internal organs, etc. This is due to the fact that during the period of intrauterine development, the child's ears are filled with a liquid that conducts sound much better than air; in particular, high-frequency sound components are damped much less in liquid.

To use his discoveries in practice, Tomatis immersed microphones and speakers protected with film into the bathroom, through which the work of the woman's internal organs was broadcast. In this way, he simulated sound filtering through the maternal placenta. In the resulting recordings, most of the sound spectrum was in the range above 8000 Hz. When the recordings made in this way were given to listen to children with various disabilities - dyslexia, autism, hyperactivity, the changes in their behavior and learning were overwhelming. This high-frequency sound, according to the theory of Tomatis, awakens the feeling of the most archaic connection with the mother. Such sounds, apparently, touch the most ancient, primordial layers of our memory - the bliss of being in the mother's womb, unity with the mother, and awaken in the listener this forgotten feeling of wholeness, and sometimes even activate these most ancient mechanisms and begin to activate in a person such processes that occur only during intrauterine development.

So, what is a lullaby is the quintessence of all that good, important, necessary, necessary for a little man. All that his loving ancestors, parents, his entire family have accumulated over the centuries and wants to convey to him in such an understandable SPECIAL form, and at the same time to calm him down, tell him that this world loves him, there is beauty and goodness around him, you can not worry. You can calmly grow and gain strength, mom is nearby, dad will protect him, he is welcome, he is loved …

We draw your attention to the fact that this extremely important and necessary information for the child is transmitted at an inexplicable subconscious level. One of the ways to do this, along with tactile (touching) contact of close people, is the LULLABY. We begin to guess a little that not every song can claim to be a lullaby. In the same way, not every "fairy tale" is worthy of being a FAIRY TALE. Obviously, there must be something, some, perhaps even mystical, threads to the past of its own kind, threads of connection to the cosmic ocean of goodness and love, and not indifference and hate.

Another look at the note A

What do we know about the note "A" 432 Hz? I think not so much, because 58 years have passed since the "International Organization for Standardization (ISO)" adopted the "A" 440 Hz tuning as the main one. In fact, no one is playing in the 432 Hz system. Musicians performing works of the Baroque era prefer "La" - 415 Hz, which was most often used before the era of classicism. Modern musicians often use 440-442 Hz, and sometimes even higher, as the most familiar and convenient tuning. But for a long period in musical history it was the "A" note with a frequency of 432 Hz that was used.

Even after the standard was adopted, in 1953, 23,000 musicians from France held a referendum in support of the 432 Hz "Verdi" tuning, but were politely ignored.

Where did the "A" 440 Hz come from, and why exactly did it replace the similar 432 Hz note that had existed for so long?

What note does the classical scale begin with? From the C note, right? So, the "C" note in this scale will be equal to 512 Hz, one octave below 256 Hz, even lower - 128-64-32-16-8-4-2-1. Those. the lowest note will be equal to one vibration per second, respectively, this is the first note of the scale!

The greatest violin maker of all time - Antonio Stradivari, whose secret of mastery of creating instruments has not yet been revealed, created his masterpieces precisely in the 432 Hz tuning!

When did the 440 Hz tuning appear? Then when the Illuminati needed to establish mental control over the masses through this frequency.

For the first time, an attempt to massively change the waves took place in 1884, but through the efforts of G. Verdi they retained the previous tuning, after which they began to call the "A" = 432 Hz tuning the "Verdi tuning".

Later, JK Digen, a US Navy officer and student of the physicist Hermann Helmholtz, in 1910 convinced the American Federation of Musicians at its annual meeting to adopt "A" = 440 Hz as the standard universal tuning for orchestras and bands. He was a professional in the field of astronomy, geology, chemistry, studied many branches of physics, especially the theory of light and sound. His opinion was fundamental in the study of musical acoustics. J. K. Degen designed the 440 Hz military chime that was used for propaganda news during World War II.

Also, shortly before World War II, in 1936, the minister of the Nazi movement and secret leader in mass management P. J. Goebbels revised the 440 Hz standard. The frequency that most affects the human brain and can be used to control large numbers of people and Nazi propaganda. This was due to the fact that if you deprive the human body of its natural attunement, and raise the natural tone a little higher, then the brain will regularly get irritated. In addition, people will stop developing, a lot of mental deviations will appear, a person will begin to close in himself, and it will become much easier for him to lead. This was the main reason why the Nazis adopted the new frequency of the "A" note.

The sound of 432 Hz is much calmer, warmer and closer to humans. You feel it with all your heart.

From comments:

Since this opera is played and sung literally to the holes, there are a lot of good Luchiy - for every taste! Personally, I prefer to everyone else a recording directed by Sir Charles McKeras with Andrea Rochet, Bruce Ford, Anthony Michaels-Moore and Alistair Miles. It differs from all the others in that it is absolutely uncut, all transports are removed in it and the original author's tonal plan is restored, as well as the score is cleared of later layers. The "la" tuning fork is set at 430 Hz, as in 1835 during the premiere of "Lucia". The only non-authenticity in this recording is that there is no glass harmonic. Opera in this form is perceived in a completely different way, after her "traditional" Lucia with cuts, transports and ad-libbing is hard to listen to …

I will. I have perfect pitch. "A" with a standard tuning fork - 440 Hz, "A flat" - 415, 3 Hz. Therefore, with a tuning fork of 430 Hz, "A" is almost a quarter tone lower than the standard one and is located almost halfway between the standard "A" and "A flat". That is, not a single note can be accurately identified by ear in this recording, for example, "A" can be taken for both a low "A" and an increased "A-flat". All this sounds unusual and very interesting. And it is more convenient for singers to sing with a tuning fork of 430 Hz for obvious reasons, and this is also heard …

So what should be the note LYA so that Man can develop harmoniously on the planet ZE ML LYA?