Video: Supplement to the movie "China's fake antiquity"
2024 Author: Seth Attwood | [email protected]. Last modified: 2023-12-16 15:55
Interesting additions to the film "Fake Antiquity of China", even more convincing that the "thousand-year history of ancient China" is nothing more than a late forgery.
Recently, the portal kramola.info released a wonderful film "Fake Antiquity of China". I suggest at the beginning, before reading the article, be sure to look at it, if you have not seen it yet:
I dug a little in various sources, in particular, in museum exhibits of museums in China, which I personally photographed by maximus101 and to whom I express my deepest gratitude for such valuable material. Here you can find everything related to China, its museums, tombs, pyramids and a bunch of other things:
From all this material, I will demonstrate all the most, in my opinion, interesting.
Let's agree right away that, as in the case of Japan, I do not intend to belittle one nation and elevate another, I am only showing all the most interesting things that do not fit into the official matrix. Most likely the products that you will see below are made by the Chinese, but who they represent is of great interest. I will also give the official version before each photo, and then I will give my personal commentary, which may be in the manner of irony or sarcasm, but I repeat, which is not aimed at oppressing anyone, but rather at denouncing the absurdity of the academic istorical point of view. So, here are some exhibits from the Shaanxi Museum in China from the hall dedicated to the era of the barbarians.
Of. version: Since the fall of the Han state (220 AD), the era of "barbarian" states begins in China. All of them were created by nomads, so the themes of the rider and the horse become key in art in that era.
Almost all the ceramic figures presented here were found in burials, they replaced real people who were supposed to accompany their master or mistress in the other world.
"Laughing Warrior". North Wei.
This man clearly shows a rather long beard and Caucasian features.
Warriors. The Tang era.
We saw such "gnome" hats on the figures of the Dacians standing on the triumphal arch of Constantine, and they are also characteristic of the Scythian nomads.
Horsemen. The Tang era.
What heroes! Explicit Caucasian features.
Camel drivers. The Tang era.
And again we see a man with a lush beard and Caucasian facial features in the lower photo, while on the upper facial features it is closer to Mongoloid and there is no beard. That is, a clear difference is shown, as well as the fact that both representatives of the two peoples lived in the territory where the statuettes were found side by side, below this will be more clearly seen.
But this is an insanely interesting artifact.
These are details of the burial of a rich Sogdian, whose tomb was discovered near Xian. The name of the Sogdian was Anjia, and he lived in the state of Northern Zhou (557-581 AD). Anjia had the title of sabao - the head of the caravan or the head of the merchant guild.
Shown here are parts of Anjia's tomb doors and his burial bench.
Here it is necessary to dwell in more detail on who the Sogdians are. My love, Vicki.
Sogdians- the people who inhabited the territory of Sogdiana, located in the valley of the Zerafshan River - from modern Bukhara (Uzbekistan) to Khujand (Tajikistan). Together with other Turanian tribes and peoples, the Sogdians were one of the ancestors of the Uzbeks. Along with other historical East Iranian peoples, they are one of the ancestors of modern Tajiks. In the words of the Soviet orientalist VV Bartold, the Sogdians, in terms of their trade and cultural contribution to the region, can be called “the Phoenicians of Central Asia”. The Sogdians spoke the Sogdian language of the Iranian branch of languages, akin to Bactrian. The writing was based on the Aramaic alphabet (ligature with the direction of the letter from right to left, and most of the vowels were not indicated in the letter). For a long time, the Sogdian language was the international language from the Caspian to Tibet. His writing became the basis for Uyghur, Mongolian and Manchurian writing.
And far from running from the same Wikipedia, images of Sogdians with obvious Caucasoid features, and the man on the right with a red beard.
Sogdians bring gifts to Buddha. Fresco of the 8th century. from Bezeklik.
Sogdian warrior on the Achaemenid reliefs.
The Anjia bench is richly decorated. All images are filled with Iranian motives. There are practically no images of the Chinese, only the Turks with long hair and Sogds. In almost all "barbarian" kingdoms, the entire ruling elite consisted of nomads, as a rule, they were the Turks.
By the way, about the Turks:
Well, the bench itself.
What familiar Russian shirts! But the most interesting thing is this:
Familiar characters? Earlier in Russia, not a single walk or holiday could do without them. These are dancers-buffoons, which, by the way, appear officially in the 11th century, which is already 600 years older than the estimated date of burial of the "noble Sogd".
But let's move on.
Here is a Chinese prince (I don’t know what to call it, perhaps the emperor) is discussing something with the fair-haired, curly-haired leader of the Turks (or is it Sogdian?)
According to the curly-haired women, perhaps the heir to Tsar Marcus Aurelius himself.
Look what kind of men.
What is it in his hands? Harmonic?
One gets the impression that this is all - the period of the reign of Ivan the Terrible, or even later, but not 500 AD. This is my personal opinion. Ehh, sing soul!
Let us now turn to the drawings depicting the period I have suggested, depicted on the bench.
Top inscription: King and Queen of China before the invasion (perhaps coming?) Tartarus.
Flounder (Shambhala?) Or Beijing.
And this is a view from the city. The watchtowers are clearly visible behind the wall.
"Chinese" Mandarin, or People's Knight (from German "Ritter" - a knight, "Leute" means either a people, or people, or a soldier):
The Daibuta Temple (?), Which sits in the lotus position, just like Buddha. "Antique" lions on guard.
Temple of Amida with images of thousands of idols. Above the idol's throne are griffins.
The pulse of antiquity is being felt again. All that is missing is a lion with wings
And Pegasus
These photos are from the archaeological expedition of Viktor Segalin in China in 1909-1918.
And here is a Buddha statue from the Chinese Buddhist cave monastery of Yungan, where the original painting was preserved:
Close-up
Hmm, this is an "antique" incomplete T-shaped swastika ornament, which we have seen many times around the world in architecture.
Peter
Sevastopol
Kiev
All this resembles an exciting fantasy, but there is no better fantasy than reality.
All health and sober mind)
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