Psychotronic weapon of Ilya Muromets or Traces of unknown Technologies in the epics of the Ruskago people // What is a button?

2024 Author: Seth Attwood | [email protected]. Last modified: 2023-12-16 15:55

Good day, dear users! Having begun to study a folk song, you sometimes come across something that at first glance seems to be fiction, a metaphor, usual for works of this nature, and from the second glance, you understand that it is not a metaphor at all, but a direct description of an event, conveyed by the narrator-people, describing what actually happened, as it is..

To begin with, I propose to get acquainted with the work, this is the epic "It was by the Blacks, by the sea-sea.." As it is now believed, it belongs to the "pen" of the Nekrasov Cossacks, but my opinion is that no one registered property rights at that time, if the collector folklore heard this song from the Cossacks, then he attributed it to them (who got up first, the slippers), but in fact there are many variants of this epic, and who is its author, when it appeared in the media space of Russia, no one can say.. And if anyone can tell and can, he will surely tell a lie, because only the author himself and his entourage, who witnessed the premiere, the first performance, know the truth.

SEE THE MATERIAL

There are many options for the performance of the epic, I offer you a performance from Yegor Strelnikov (voice) and Mitya Kuznetsov (gusli), it is very well arranged and adapted for the perception of a modern listener (information delivery container) There are also options, audio (below) There is also the text of the epic, it is approximate, since there are many variants of the text, but the essence and key points remain the same. So, pleasant listening, read the text, we will meet below, there will be an analysis and analysis of the events described in this saga.

(There are also execution options, more specific, harder -

BY BLACK WAS BY SEA

Along the Black Sea it was along the sea, the Cherniv sea, oh, with the valley.

There they run, run, run out of three ships, How are they all, after all, boats for yadin go, How to bind one boat in advance, The little boat runs ahead like a falcon flies.

And the nose is pointed in a jarlin way, And the sides are pointed like a snake, And the stern was brought in like an animal.

As there was a boat in that - all the merchants are sitting, And among merchants, rowers row - slaves.

And yet there are a few people on the boat, All a few people - only three heroes:

As well as the nose there Samson the hero owns, And the bogatyr Saltan himself owns the stern, The ship is owned by Ilya Muromets.

How Ilyusha walked along the boat, Ilyushenka is wearing a caftan of multicolored cloth, On the caftan, all the silver buttons

And at the buttons the tops of the gilded, All the fierce beast is pointed at the tops, The whole beast is fierce - 3meya-Tugarinina.

Five robbers attacked the boat, They want to take off Ilyushenka's green caftan.

Like robbers Ilyusha does not ‘graze, He walks around and jokes with buttons, Ilyushenka plays with silver, On the tops of the angry he strokes himself.

How Tugarin's beast flared up, And the fierce beasts hissed, And the fierce snakes raged, All Kalmyks and Tatars were scared, They threw themselves into the ocean-blue sea.

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DEBRIEFING

So, we listened to a beautifully performed piece, plunged into the glorious mysterious past, what can we say about the event itself?

As you can see from the text, it was a caravan of merchant ships (merchants) that was accompanied by the security company of Ilya Muromets.. His "team" is Samson the hero, who is in the front (he has the bow) and Saltan the hero, who controls the rear of the ship (he owns the stern) Ilya himself controls the situation (he owns the ship) in general, and of course the flanks are the sides..

PREAMBLE

So, a caravan of merchant vessels, consisting of 30 ships, sailed across the Black Sea, from point A to point B.that's why they are on the lead ship (they have only one boat ahead of them) It is logical to assume that there were warrior guards on the ships of the merchants who used Ilya's services, who controlled the situation on the spot … And the customers themselves - merchants, owners of goods, also are on the lead ship, apparently this is a kind of VIP-zone, with all its features (food, rest, services, etc.) In general, "a party for the cool".

Perhaps this was the choice of the "five robbers" who wanted to take the "jackpot" - there are merchants with cash, and Ilyusha with his "green caftan".. Because ships with goods are a "bag" - infrastructure, fuss, goods are needed somewhere to implement, etc. and they are people of the robber class - “they did not learn from that.” Trouble is not enough, it is all too difficult for a robber with his indefatigable, free nature.

And what kind of "caftan" Ilya has, and why was it of particular interest to criminals?

Let's think about this, especially since the author himself points to the "caftancheg" as the main goal of the "robbers".. But first I propose to localize the event, in terms of correspondence between the designated Black Sea and the current Black Sea - you never know, like in those ancient times were the seas called?

LOCALIZATION

In the text of the epics, the robbers are spelled out as "Kalmyks and Tatars" - if you try to localize the event (is it really the Black Sea that we think?) Black Sea.. Let's see where we have Kalmykia? Here it is, exactly between the Caspian (Khvalynsky) and Black.. (highlighted in gray with a red edging) "Despite" Kalmykia adjoins the Caspian, nevertheless, the very habitat of the ethnic group, the region, is quite disposed to admit as part of a group of sea pirates and Kalmyks, together with the Tatars (Crimean)

And where were the borders of Kalmykia earlier, and whether they were at all - this is the question. Kalmykia itself as a subject, did it exist in those days? We must ask Kirsan Ilyumzhinov, he is now actively communicating with a higher mind, I think he will not lie. Most likely these were mobile groups of local, acting like Somali pirates..

On the other hand, the traditional route of commercial shopping tours of that time was the Volga River, and then the Khvalynskoe (Caspian) Sea. They sailed to India, and closer to Central Asia, and there Persia, the richest region, then still flourishing, without modern huge deserts (they were several times smaller) Because, it is possible that they sailed in the Caspian, and the Caspian itself, by the way, was of a different shape.

Let's compare - the map of the 16th century (above) and the modern one (below) As landmarks, the cities of Baku and Samarkand (from left to right) Pay attention, on the old map there is a huge number of cities, where now there is a desert … And that was quite recently! (read more about this -

In general, it is quite possible that they sailed just the same on the Caspian Sea, the Khvalynsky Sea, who knows what our ancestors called these seas then. Kalmyks and Tatars, or rather their Horde chiefs, controlled trade routes, but there were also cases of "lawlessness". It is possible that "Kalmyks, Tatars" is a later text, an insert, because Ilya lived in the 12th century (there is a paragraph on the topic below) and how it was called then (as for the sea itself) - now no one will say if only lie.

THE CASE OF ATHANASIY NIKITIN'S SON

This is described by Afanasy Nikitin, when they paid for the passage of a section of the Volga River in the region of the city of Khaztarkhan (Astrakhan), controlled by a certain Horde group (on the way to the Khvalyn-sea) But they were stupidly "thrown" As a result, unsuspecting Russian merchants (including Afanasy) fell under the hammers - they were severely punished by the locals, perhaps because they did not receive the duty, and they were generally "not in the know." Because of this, Afanasy Nikitin's son had to lose a couple of years, "hanging "in those lands, in an attempt to understand and find a control over the" scammer "- to return property, goods borrowed at home (to wrap up capital - sell there," stock up "with the proceeds and vice versa), which was not quite crowned with success.

Here you can read what happened (and the type was called Shirbashin Asan-bek, and he was also an ambassador) In general, the ships themselves were confiscated, the goods were stupidly plundered and half of the merchants were killed (for resisting) someone was released, including Afanasy …

Here is the text (UNDERLINED IN RED) and Ambassador Shirbashin Asan-bey (duty) yes on the canvas (possibly a personal bribe) so that they took Khaztarkhan past, and they took the podnoryatks, and gave the news to the king in Khaztorhan (he calls the ruler of Astrakhan a king, not a khan, which is interesting!) We read further - And I left my ship and climbed onto the ship with an ambassador and with comrades Aztarkhan. By the month of the night by sail (sailed at night, under the moon) The tsar saw us, and the Tatars called us - kachma, do not run (demanded to stop)

and the king sent after us all his horde (well, maybe exaggerating a little, "the whole horde") and according to our sin (Oh, these Christians, they were thrown, and they - "by sin"!) They overtook us on the boogun, they shot a man at our place, and we shot two of them (yes, got excited) and our smaller ship was on the move, and they took it an hour ago, but plundered it, and my junk is all in the smaller ship (there Afanasy had the goods that he was carrying) Well, okay, read on for yourself (later) we'll return to the investigation, otherwise I was distracted not weakly:

CAFTANCHEG

So, a caftan … As you can see, there is a definite connection between the head "little ship" itself and Ilyushin "caftan" of multicolored cloth (possibly with predominant green tones). the picture of the event, then we will see that the nose is pointed at the jarlin (eagle) sides are pointed at the serpentine, and the stern is pointed at the animal (or, on the contrary, not the essence, the versions differ) How to understand - are aimed? And so that (most likely) the sides and sterns were decorated with statues, reliefs of terrible, formidable animals (I think so) and the nose was the frightening head of an eagle with a predatory open beak (as I imagine)

Where is the connection with the "caftan"? And the connection, apparently, is carried out through special buttons - this is a bimetallic structure, silver with gold "plating", on these buttons the whole "fierce Tugarinin Serpent" is "pointed", possibly copies of the reliefs depicting animals with which the "little boat" is decorated.. As you can see, a "caftancheg" with buttons is a kind of control panel, an activator..

Yes, and about the "fierce beast, the Serpent of Tugarinin" - there are considerations that the animals were not simple, but some kind of outlandish, otherwise why emphasize that they say "the fierce beast Snake Tugarinin"? Ordinary animals probably wouldn’t be scared, I think so.. You have to understand that these are robbers, harsh people who set foot on the path of harsh karmic retribution.. With some kind of wolf-bears, lynxes, tigers-lions, they could hardly be surprise.. Yes, then almost all men were hunters, at least they knew how to do it, in those days (12th century) There is something special..

Perhaps it was something described in the journey of Alexander the Great to another world, there really were unrealistic creepy creatures from other worlds, mutants, or unimaginable combinations of types of living beings (read more about this - maybe dead-end branches of genetic experiments of control structures.

HOO AR YU, MISTER ILYA MUROMETS?

We traditionally depict Ilya Muromets no less than in chain mail, armor, armor, etc., a healthy fellow with a huge club, which is designated as a FINGER weapon..) And here we see Ilya "at work" but not in the classic (from the current point of view) "uniform" but in quite a glamorous caftan (made of multicolored cloth) and even with such expensive buttons! So it is quite adequate to get rid of the stereotypes and patterns imposed by the system, for the sake of knowledge, for gaining the truth for.

This is how our children are offered Ilya Muromets (above).. Would a caftan look on such a man? I don’t think.. The very shape of the caftan is straight, but here, in fact, is an isosceles triangle.. And the name is "caftan".. Then at least a caftan, a caftan, for that matter.. And who is right, today's animators or the author of an old epic, sagas, who should the people believe? Personally, I fully admit that Ilya was a completely normal physique, yes, strong, maybe graceful, slender - if the caftan fit him, especially the "multicolored cloth".. And such a super-megabrutal fellow (above) why "glamor"? It would look ridiculous, even comical, grotesque..

REFERENCE

The age of the monk hero was approximately established - 40–55 years, the time of his death - around 1188. This date can be considered conditional. It is based on two sources. The first is the book "Tereturgim" by the monk Athanasius, published in 1636. It indicated that St. Ilya Muromets lived 450 years ago. The second is radiocarbon analysis. However, the latter assumes strong errors, and when evaluating the data obtained, it is often emphasized that they are very approximate. Scientists who worked in 1988 found that the relics are about 800 years old, so it turned out - 1188.

DESCRIPTION OF THE FATE OF Ilya MUROMTS

The fact that Ilya is an instrument of higher governing structures is understandable from his fate - until the age of 33 he was not moved by a physical body, but was mobile by his mind and other bodies of his being. and in general full dedication to this, maximum concentration of attention. After all, making changes on the subtle plane (by a person) is made by directing the focus of consciousness, keeping it, fixing it on the subject of influence. Such things require unreal perseverance, which is practically impossible for a child or a young person who brave physics "drags" in its direction..

Therefore, Ilya was immobilized for a while.. Then, according to the results of his readiness, when he "matured", they came to him and "activated" the ability to move.. Apparently Ilya had a serious mission, and it is not a fact that we know about it, and if we know something, not necessarily how it was in reality. And the local goal-setting themselves (what we know from fairy tales) do not necessarily correspond to the designated ones (they can be hidden behind external goals) It is interesting that in the official chronicle he is not mentioned anywhere, but in fairy tales, epics, he exists side by side with real historical characters, plays an active role in the formation of historical events … Well, in general, his task was to protect the Rus Land, it is a no brainer..

NOT A MUSCLE ONE

And as we can see from the saga, Ilya introduces changes in the unfolding events indirectly, "indirectly", acting not on physics, not on matter itself (he did not kill pirates with a club or sword) but acting on a subtle plane, on causal spheres, which is more humane and karmically much "cleaner" for Ilya himself, and for robbers (they still have time to change their way of life) For a creature of this level, it would even be offensive to wave a mace or club, for no reason.. And Ilya's very attitude to situations with robbers, it is more like as if he drove away an annoying fly, not being particularly distracted by this from his thoughts..

His actions are noble, or something, in the literal sense of the word … Ilya does not do good, he gives birth to good and - the difference here is huge. Because good counteracts evil, and good reduces these two poles (plus and minus) to effective pacification. there is no conflict - the indignant matter settles down and returns to its original state, this is a blessing. Therefore, the image of a "huge fellow with a cudgel" is false - Ilya Muromets was not like that. He was a highly advanced magician, a battle magician, if you like, speaking in modern language of fantasy, sensitive, subtle, intelligent, noble (giving birth to good), strong in spirit and not in a single muscle. (in the photo - a sarcophagus with the relics of Ilya Muromets)

MEDITATION

Ilya walks around all the time, does not sit, does not chat with merchants, does not have fun, does not drink, whiling away the long way.. He always seems to be "on his own wave" - Ilya is at work. He is "on the watch" - he listens to himself, sharpens his feelings, "scans" - is there a danger ahead?

When the robbers attack, how does Ilya behave? Ilya does not “graze” them, he just walks around, jabbering around with buttons, stroking the silver ones, and “patting the evil ones.” As you might guess, to a certain extent this is meditation, what Ilya does.. That is, meditation is like a tool entering special states. A special state as preparation for the activation of a certain skill. By the type of how he approached the control panel of the aforementioned (inside himself)

That is, Ilya, enters a state of meditation, reaches the required state, and begins to activate the security system, which (according to the description) works as follows - the reliefs of animals on the sides and stern begin to emit a glow (the fierce beast flared up) and also emit threatening sounds (snakes whistled, and animals hissed) You can see that the system works in close connection with the psychophysics of man, his bio-energy, coupled with the atmospheric energy grid.

BIOENERGY

It is this conjugation of the bioenergy of a person, a hero (possessing skill) with the external energy potential of the environment, which determines the operation of this system. Now this is impossible, in general, due to the difference in the state of the environment then and now - then the geophysical conditions were somewhat different, and such a conjugation of the energy frame of a person, a hero, in direct interaction with the atmospheric grid, made it possible to obtain such kind of effects (read here - // subsection 9.2. Alignment with the lattice of the Cosmic body)

That is why, in fact, the robbers are trying to take off Ilya's caftan - they do not necessarily want to steal it, or take it for themselves, it is not the direct goal of their attack - it is to take off, as the epic says … obligations to merchants, according to the concluded agreement, as protection of them and their goods, their lives, leveling the possibilities of Ilya (his reputation should also suffer) And only then proceed to the very process of robbing merchants, with their cash, jewelry, etc.

FINGERS - CONTACTS

The very pairing of Ilya's fingers with bimetallic elements should be of particular interest, because if we look at the situation from the perspective of the interaction of the hero's bioenergy potential with the environment, then what are human fingers? Fingers, among other things, are contacts, outputs of bioenergetic currents, where each finger carries a certain kind of charged bioenergy (hence the healing and restorative system of Mudras - combinations of finger combinations And since this is a hero (and a hero is not just a fellow waving a club) a person with supernormal abilities, endowed with these from above, maintaining balance and justice in society for the sake of, then his fingers are special, even at the moment he enters certain states.

BIMETALLIC

Now let's look at the properties of the bimetallic control elements of the system (buttons) of sensors - activators. The combination of gold and silver itself is a bit paradoxical, in the sense that these metals have completely different, or even opposite, nature of influence or interaction with the human body., upon contact with the skin, directs the microcurrents "from oneself", that is, it gives, then the silver, on the contrary, "to itself", takes away. Thus, this very combination of the combination of the incompatible should already cause some kind of reaction in itself, when interacting with the body In the case of Ilya as a hero, that is, the owner of a powerful energy (and the ability to actively control it in interaction with the external environment), these microcurrents arising from contact with such an object are quite transformed into currents that are no longer quite micro, and possibly completely "macro".

SYSTEM ACTIVATION

Now the process of activating the system itself. Ilya begins to stroke these bimetallic sensors, made of elements of opposite nature, and as a result of this "stroking and stroking" (runs his finger over them - he acts with his bioenergy flow) there is a kind of disturbance, accumulation, concentration - "sparks", since metals react in the opposite way to such interaction (one metal is positive, the other is negative). Further, there is a pairing of a psychophysical nature with the external elements of the system located on the "boat" (unfortunately, we do not know what materials they were made of)

That is, receiving a certain charge in this way, Ilya directs it to external elements, with the help of his internal skills, such as the features of materialization, the sculpting of an image, a kind of charge of thought plasma that activates the system, it begins to function. Therefore, it is no coincidence that animals are here " are aimed "at the buttons, because this is the control of an external element - the same animals fixed on the" boat "(sides, stern, nose). It involves the work of imagination, materialization, and it is quite possible that with one glow, hiss and whistle of the" fierce animal " it was not limited..

THE POWER OF THE IMAGINATION OF ANCESTORS

Here it is necessary to expand the topic itself a little wider - the point is. that, as I wrote earlier, the very conditions of existence on the planet, in terms of geophysics, were different. People themselves and humans were different. This is well expressed in the culture, art of that time, I propose to draw an analogy of the difference in the perception of the world by examining old maps (until the 16th century) the difference in their design.. If you have seen these "Ethereal" cards (read more - they do not look like cards at all - some kind of "funny pictures".. Below is the Catalan map of 1375.

Because the imagination of distant ancestors and their perception of the world were different - people were more spiritual, they saw other spheres, the subtle world, and moreover, they interacted with them - after all, it was generally a part of their being … People thought figuratively, so did communicated, the language itself was images, figurative, and the power of their imagination was great, not to compare with ours.

COMMUNICATION BY IMAGES

If you read anything written before the 16th century, you will feel the paucity and clumsy of the expressions themselves, the methods and tools of writing, presentation … This is interpreted as the closeness of people of the past, in fact, this is their advancement, because they did not need to unnecessarily describe the situation - the addressee saw it right away in his imagination, visualized it (permanent connection to the info-field). The letter indicated only the main, "reference" points of what was stated, even just hints, from that the present mankind thinks of its superiority..

I will give an example - read the text itself and compare with the interlinear translation (translation, left), pay attention to how the thought itself is expressed, would you understand anything without translation? Confusion, as if some moron expresses - like, "guess yourself what I mean"! But after all, "they guessed" - this is written in the LLS (The Front Chronicle of John the Terrible, 16th century) a history textbook for royal children (or read above, as Afanasy Nikitin's son expounds, just as clumsily, from our position)

DIFFERENCE TYPES OF COMMUNICATION

If we try to identify the difference in communication with images and the current communication, purely detailed, it’s as if we, instead of watching a picture, film, read a detailed description of what is happening on the screen. Description of furnishings, decorations, furniture, what fabrics, what curtains, chairs, wardrobes, etc. instead of just seeing the room.. This is such a difference between us and them.. Then there were many magicians, sorcerers, wizards, fabulous creatures nowadays. It was by entering the subtle spheres with your human being, and the possibility of such interaction with the environment, and the impact on this, as well as on their own kind. It was a part of man, and he was a part of this.. The same is true in fairy tales - communication with animals, with the spirits of the forest and so on - these are not metaphors, this is a real interaction, which was completely possible more recently (some may still)

PSYCHOTRON

However, let's continue … So, I think that in this case, this system was of a psychotronic nature of the impact, it worked precisely as a wild horror, blocking some volitional centers, as a result - panic, a desire to "run away", in that spirit (such barriers still stand in many places on the planet where access is prohibited to man). Therefore, the dashing robbers "got scared" and fell into the "blue sea of okians" do they hiss and whistle? Well, they whistle and whistle, and the dog would be with him!

But here, probably, there is an interaction with the imagination of the attackers themselves. The imagination begins to visualize creepy images for them, the development of events, or the environment of an extremely dangerous nature (for example, animals from the side jump and rush at them, prepare to jump, exposing their fangs, etc.) Apparently the person is not able to resist this - on then the security system was calculated.

This can be compared, in part, with the effect of certain chemical warfare agents, when, after being exposed to the gas, the enemy soldier began to "fail nonetheless." shoot at each other, mistaking their enemies for enemies, or generally for some kind of monsters, or run somewhere, or fell in a fit, in general - incapacitated in this way, they could not fulfill their direct duties.

Therefore, the DRG of robbers, consisting of five people, receives the task - to remove the caftan from Ilyushenka (apparently not for the first time they encountered a problem) so that the rest of the bandit group could easily capture 30 ships. Kalash , at least like the current, modern pirates.. But, as we see from the legend, Ilyusha clearly fulfilled his direct obligations, the system worked, and the dashing robbers, having lost some kind of internal reference points, were disorganized and kicked out of reality itself, just fell overboard, which, in principle, is quite humane in relation to them..

BUTTON (control shot)

And on the road - the word itself scarecrowsheep.. Reminds nothing, no associations arise? Let's read the ending of the epic, according to the text - what happened to the robbers? QUOTE - "All robbers are daring scared (is scarecrowalisya) threw themselves into the ocean-blue-sea."

According to the results, the results of the event, it can be stated that Ilya dealt with the robbers, sea pirates, using buttons … nowhere.. to scare with buttons.. It's like using a grinder for crushing, and a smoking room for smoking, an arrow for shooting, a drink for drinking, a muzzle for a massacre, and a button for fright..

It remains to understand the name of what we use to button the hem of our clothes, it was not necessarily called buttons.. If you recall the text of the epic, it says that "rattles with buttons" - the design of the buttons was such that they made a sound when shaken.. They were sewn on "caftan of multicolored cloth" but not necessarily they fastened the floors of the caftan. Perhaps it was a parallel row of "decorative" items that were not used for fastening, which were called buttons, because they were used for a different purpose.. In general, I will leave the question open, I will be glad study your opinion in the comments.. (…..a couple of hours passed… and suddenly !!!)

PS … went to the Internet and … that's what I found !!

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