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DECODING ANCIENT SECRET SCRIPTS - THE BREAK OF THE OFFICIAL HISTORY. V. A. Chudinov
DECODING ANCIENT SECRET SCRIPTS - THE BREAK OF THE OFFICIAL HISTORY. V. A. Chudinov

Video: DECODING ANCIENT SECRET SCRIPTS - THE BREAK OF THE OFFICIAL HISTORY. V. A. Chudinov

Video: DECODING ANCIENT SECRET SCRIPTS - THE BREAK OF THE OFFICIAL HISTORY. V. A. Chudinov
Video: "Ah, America" - Russian Anti-American Song [JUL4 SPECIAL] / "Эх, Америка" 2024, May
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Today, in the field of alternative study of the world, perhaps, there is not a single person who does not know Valery Chudinov. Someone considers him a charlatan, and someone thinks completely differently - he is the only one who groped the mechanism for reading the cryptography.

The materials below are not a conclusion, but rather an analyst. Conclusions are made to the reader. My job is to illuminate the topic.

Biography. The dynamics of the professional development of the researcher

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Valeriy Alekseevich Chudinov (born June 30, 1942, Moscow) is a Soviet and Russian philosopher, an expert on philosophical questions of natural science.

Doctor of Philosophy, Professor. He is also known as the author of theories and publications in the field of ancient Russian history and linguistics.

Valery Alekseevich speaks about the reading of the secret writing heritage, encrypted in the remnants of the material culture of ancient civilizations. He is also a supporter of the idea of the existence of Slavic runes. Chudinov's works claim to be discoveries in the field of epigraphy and paleography. But despite his experience, education and authority in scientific circles, his theories are recognized as pseudoscientific. In order to make it clear that Valery Alekseevich is a really educated person and knows what he is talking about, I’ll tell you a little about his professional path of development.

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Valery Chudinov graduated from the Faculty of Physics in 1967, and also, according to his own statement, 4 courses in absentia from the 5th Faculty of Philology of Moscow State University named after M. V. Lomonosov.

Further, in 1973 he defended his thesis for the degree of candidate of philosophical sciences on the topic "Philosophical analysis of the concepts of divisibility and compatibility."

In 1988 he defended his doctoral dissertation on the topic "Philosophical Problems of Natural Science Atomistics".

Then in 1976 he became an assistant professor, and since 1991 - a professor. In December 1999 he became a full member of the Russian Academy of Natural Sciences. In 2003 he was the chairman of the Commission on the Culture of Ancient and Medieval Russia of the Scientific Council of the Russian Academy of Sciences "History of World Culture".

Since May 2005, he has been the head of the Institute of Ancient Slavic and Ancient Eurasian Civilization. And in February 2006 he became a full member of the Academy of Basic Sciences.

Valery Alekseevich also taught philosophy through the Department of Philosophy of the Russian Academy of Sciences postgraduate students of the Research Institute and published there in the scientific periodicals.

He is a member of three scientific councils for the defense of dissertations in state universities, one scientific council of the Russian Academy of Sciences and one council under the IANPO (International Academy of Sciences of Pedagogical Education). He lectured at the Polytechnic Museum until 2010. Moreover, V. Chudinov is the co-chairman of the organizing committee and participant of the international congresses "Pre-Cyril Slavic Writing and Pre-Christian Slavic Culture", which from 2008 to 2010 were annually held at Leningrad State University. Pushkin (formerly the Leningrad Regional Pedagogical Institute), and in 2011 - in the town of Lotoshino, Moscow Region. He is the author of over 700 articles and books. Since June 2006 he has been maintaining his own educational website: chudinov.ru.

The basis of Chudinov's discoveries. Reading methods

Chudinov argues that the "Slavic Vedic civilization" arose long before all other known civilizations. In addition, it makes the era of the emergence of the specifically Russian (not to be confused with the Proto-Slavic) language more ancient.

The main research method of V. A. Chudinov is:

close examination of photographs of historical images and objects, the study of their small details to find hidden or obscured from time to time texts

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V. A. Chudinov discovers inscriptions where an "inexperienced person" sees either a play of nature or purely artistic asymmetrical patterns. At the same time, the inscriptions read by him are written:

1) either by the runes of Mokosh(priestly syllabic writing), a syllabary (a set of syllabic characters that form the writing system of a given language) which he deciphered in the course of his research. The runes of Makosha look like this:

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2) either by the runes of the Sort ("Folk proto-Cyrillic", reminiscent of the current civilian script, but usually with extreme roughness and ligatures).

The runes of Rod, according to his version, served as the basis for the Cyrillic alphabet: Cyril added several Greek letters to them to use the new alphabet in the emerging Christianity, along with Greek and Latin. (the snippet taken from the network ends here)

Runes of the genus: A, B, C, D, D, E, F, 3, I, K, L, M, N, O, P, R, S, T, U, X, Ts, Ch, Sh, Shch, b, Y, b, Y, I.

“There are no letters in the runes of the genus. Which ones? First, the letter Y, which was introduced by the great Russian writer Karamzin. Secondly, the letters E. Thirdly, the letter Ф, since there was no such sound in the Russian language. Finally, the sounds I and Y did not differ and were denoted by the same letter."

V. A. Chudinov finds traces of Slavic runic writing:

on the monuments of the Paleolithic

- on the artistic monuments of antiquity, Medieval and later.

- at archaeological sites, namely, on ancient sanctuaries and sacred stones, objects of worship, utensils of ancient and pre-antique times, letters, Christian icons of the first centuries.

Chudinov also corrected the table for decoding the Etruscan writing proposed by Thaddeus (Tadeusz) Volansky:

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One of the sensational discoveries of Valery Alekseevich is that: "Our country is 30 thousand years old!" He studied the inscriptions on stones and cave figures. The first find that struck him was a Paleolithic inscription. It was made in Russian, which we now speak. And when I saw the ancient image of a mammoth, I could not believe my eyes - it was composed of runica signs … In total, Chudinov studied more than 200 illustrations of such objects - from stones to temples, which helped him make this discovery.

“The Russian language was the same universal language before the construction of the Tower of Babel, which was written about in the Bible. In the Bronze Age, Eurasians began to move to Russian lands and began to adopt Russian culture. Their culture, the culture of nomads, was less developed. Many European languages are Russian in their local transcription. For instance, the Russian word "water" was heard by the Germans as "vodar" … It was almost in this form that it passed into modern English. And among the Germans, the sound "d" turned into "s", so in German "water" sounds like "vasser" … This example shows that Indo-European languages are adapted Russian. "

Thanks to Chudinov's discoveries, today we can look quite differently at the veils of official history, to which more and more questions arise. There are a lot of mismatches. And when you read the materials of Valery Alekseevich, you do not freely think: "Maybe it's true"?

Opening 1. "Rurik was married to Asya Votkina from Moscow"

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Such a statement may seem more than strange, because the official story says that Efanda Urmanskaya of Norwegian origin was the chosen one of Rurik.

In his works, the historian Tatishchev writes so, referring to the ancient chronicles that he held in his hands and which have not reached us. But V. A. Chudinov was able to read unique records on one Etruscan mirror, which say that Rurik's wife was Asya Votkina.

Once, Chudinov's attention was attracted by the fifth volume of Gerhard's works. Its cover image read:

Etruscan mirrors published by Eduard Gerhard. Fifth volume. On behalf of the Imperial Archaeological Institute. Revised by A. Klugman and G. Curte. First notebook. Berlin. Printing and publishing by G. Reimer. 1884.

Valery Alekseevich decided to decipher the implicit inscriptions on the mirror number 23, it was with a bone handle and was in the possession of Giuseppe Bazzicelli in Viterbo. According to information from the book, it depicts:

TURAN and ALUNI are next to each other, hugging closely, also Aphrodite is dressed only in the lower part of the body. On the left is Apollo, dressed in a himation, with a wreath and ornaments, a winged LAZA, who holds a necklace with a bull in her dangling right hand. There is also a MINERVA in full combat gear.

Gerhard considered the plot on the mirror as Greek and mythological, although according to Chudinov's investigation, the first inscription to the left of the man is not TURAN at all, but ZVDAN, that is, DATE. And indeed, a man and a woman saw each other. They are depicted in the center of the composition, and although each of them has a necklace around their neck, there is one hoop for two, which ties their necks and goes behind the girl's head, and this is a hint of the marriage bond that connects a boy and a girl.

On the young man's armband is the word CHARAON. And this surprised Chudinov, he had never seen such inscriptions on mirrors before. Let me remind you that according to Chudinov:

MIM TEMPLE YAR - means something corresponding to the bishop.

MIM YARA is the title of Metropolitan or Cardinal.

CHARAON - can be understood as patriarch or pope.

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Hence, the groom wears highest Vedic rank, which is not at all trivial. And on the girl's hair you can read the words of MIM YAR. And a girl of this rank is really a worthy couple for CHARAON. Moreover, on the back of the common ring connecting the bride and groom, above the girl's right shoulder, the word HOLY can be read in reverse color. So the groom unites with the HOLY YARA.

On the hair clip of a woman's hair, you can read the word PRINCESS. And this word refers precisely to the text about MIME YAR. And below, in the area of the ear and neck, you can read the most important words for opening: ASYA, MOSCOW.

It turns out that the bride's name is ASYA, and she is from Moscow (but not the capital of Russia, which did not exist then, but, possibly, from the city of Moscow, which later became Madrid).

On the edge of the hair under the hoop the word is read VOTKINA … Chudinov believes that this is the name of the bride. Summing up, we find that the bride of CHARAON is not just Mima Yar, the HOLY, but also PRINCESS ASYA VOTKINA from MOSCOW.

With the bride, everything is clear who she is and from where. Where is the bridegroom CHARAON from?

First, Valery Alekseevich studied the groom's hairstyle. There he read the words: YARA (top left), FALCON (slightly lower and to the right), and VARANGIAN (opposite the neck). The word FALCON reminded Chudinov of his mother's birth Ivan Rurik, especially since he was from Vagria, which means a VARIAN. Then he read a word on a small strand to the right of his head and it was RURIK.

It turns out that an important event for Rome, Spring Russia, for Etruria as an integral part of this state was captured on the mirror - the wedding of Rurik.

OOopening 2. "Whitemans, Whitemars, Vimanas and the Aerospace Fleet"

Just imagine the huge flying machines that existed long before our civilization - vimanas, whitemans and whitemars. Where are they now? Who flew them? Chudinov tried to figure it out and came up with an amazing discovery - the inscriptions on these devices in Russian, which read about the connection of the UFO with the temples of the Russian gods.

On the network about these devices, you can find the following information:

“Wightman is the Flying Celestial Chariot, on which Gods and people traveled between the Earths. There were also Whitemars - large Heavenly chariots capable of carrying up to 144 Whiteman in their womb. In the Ramayana, which is kept by the inhabitants of India, the Whitemans are called Vimanas; this distortion of the name occurred when translated from the H'Aryan language into Sanskrit. Descriptions of various flying objects - "Viman" - are found not only in the Ramayana, but also in the Rig Veda (II millennium BC), other works that have come down to us from ancient times."

Whiteman on a fresco in a monastery in Serbia

For the purpose of studying these devices, Chudinov examined the images on the famous Decani frescoes in the Vysokie Decani monastery in Serbia.

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When examining this fresco, Chudinov draws attention to the fact that there is a difference between aircraft. For example, the left apparatus flies through fire or with the help of fire, and the second one in which, a woman, in a spherical capsule, sits with her back to the direction of flight. The right vehicle is apparently flying through the air, its background is blue. The pilot in a cone-shaped capsule sits facing the direction of flight.

The signatures are also different. So, under the woman there are the words: MAKE MARA TEMPLE YARA MIMA. It turns out that the pilot had the Vedic rank of mima Yara, that is, the highest rank of a monk. This is especially emphasized by the signature YARA MIM under the pilot's seat. The second, atmospheric aircraft above the middle antenna has the inscription YARA, and below it - the inscription TEMPLE. And under the inscription read the words ARKONA YAR. Note that basically the inscriptions on the fresco coincide with the inscription on the aircraft, so we are not at all angels, but pilots on two types of aircraft. (here the link ends) Something in the Bible says nothing about it. Also aircraft such as whiteman and whitemar are found on other objects of art. For example, in the 11th century icon in the Vatican.

Whitemara on the 11th century icon

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Now let's see what is written on this fragment. Firstly, we see a dome here, not a cone, which means that the aircraft of the Temple of Mary is depicted. Secondly, you can see the inscriptions on it.

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On the dome on the upper part of the hemisphere Chudinov read the words TEMPLE YARA MARA, and on the lower part - the words STAN ARKONA YARA, that is, in modern language, ARKONA YARA AIR FORCES … The word MARA is read on the nozzle of the dome. And on the frame of the fragment opposite the head of the right angel you can read in direct and reversed colors: VAYTMARA YARA TEMPLE. So the hemispherical apparatus related to Mara is VAYTMARA. Therefore, the spacecraft of the atmosphere is WEITMAN. Remember the fresco in question from the monastery? It turns out that the inscription on this icon confirms the division of this division into 2 different devices.

Whitemara on an ancient coin

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Chudinov has been reading the inscriptions on coins for a very long time and he knows that the main text of the coin is written implicitly in the largest letters. On the coin you can see the inscription in the center from the left to the middle - the word VAYTMARA. And to the right and to the very end of the line, I read the words WAR OF ROME IN RUSSIA. These are not just words. This means that Whitemars flew quite recently, back in the XII century.

According to Chudinov, the clouds on the coin are a stylized date, and since it is clearly minted, it is given in chronology from the birth of Christ. In this case, you can read the date 1363 on the left half, and 1510 on the right, and this is the dating of the hostilities.

It is worth noting that this is a confirmation of Chudinov's theory. about the war between Rome and Russia Yar … And, alas, it ended not with the signing of the peace, but with the signing humiliating for the Slavs in general and for the Russians in particular, the provisions of the Council of Trentending in 1563 with a ban:

- all dates, except Christian ones, - destruction of all books, except Christian ones, - the creation of the Holy Inquisition.

This was the date of the real end of the war, which, as can be judged from the date numbers, lasted exactly 200 years. However, there is not a word about this in the historiography of the victors, for the defeated did not even deserve a mention.

On the very relief of the vaitmara, you can read the words (on the nozzles): below - TEMPLE OF MARA, above - TEMPLE OF YAR. So the flying vehicles belonged to: the whitemars - to the temple of Mary, the whitemans - to the temple of Yar. There are horizontal lines on the left and right at the level of the bottom of the whitemara relief. There are also inscriptions under them. Under the left you can read the words: WARRIORS OF ALL RUSSIA YAR, under the right - VIMAN from 300 to 503 (YARS YAR). In our usual chronology, this dating will look like this: FROM 1156 TO 1359 YEARS FROM THE BIRTH OF CHRIST. It follows from this record that at first, for 203 years, light aircraft of the Viman (Whiteman) type were used, and after 4 years, for 157 years, larger and heavier Whitemars were used.

We have now considered only three examples of the mention of these aircraft, and there are hundreds of such examples. Why has official science not a word about these devices?

Discovery 3. "Geoglyphs around the world, on the planets of the solar system"

In addition to the facts “not noticed” by history about inscriptions on objects of world cultural heritage, there is also such a thing as “geoglyph”.

This is a miraculous drawing or sign that appears in the relief of the earth or cracks and spots on a mountain, etc. It might seem like a crazy idea, but wait. Let's look at examples of such readings by Chudinov. And by the way, it is interesting that geoglyphs in our time have become actively "overwritten", for example, on Google maps. I wonder why, what do you think?

There is a concept as urbanoglyphs - this is a geoglyphic study of the reliefs of ancient cities, which can be found from space. And in this direction Valery Alekseevich special. There is also the concept of "topoglyph". This is a study of the topography of an area that occupies a larger place in comparison with a city or settlement. For example, this is the terrain of a district, region, cape, peninsula, island, or a larger formation.

As an example of such reading, consider the geoglyph of Scythian Naples on the territory of Sevastopol.

Geoglyph of Scythian Naples

A screenshot of this territory is visible on the geoglyph of Sevastopol from a height of 1, 15 km. To identify the inscriptions, Chudinov had to increase the contrast at a very large size.

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At the very top there are dates: YARA YAR 505-585. In our usual chronology, this corresponds to the YEARS FROM THE BIRTH OF CHRIST 1361-1441. That is, this period is already beyond the existence of secondary Arkon Yar. Further, the name of the territory is indicated: Scythia YARA. It turns out that Scythian Naples existed as a capital before the time of the secondary Arkon. And later he became one of the cities of Scythia Yar.

And then Chudinov finds an inscription in several lines: IN SCLAVIA YARA AND YARA RUS, AND YARA RUS SKLAVYAN. Simply put, Scythia Yara ceased to be both the Rus of the Slavs and the Sklavia Yara, but lay on the way there. Most likely to the south, towards the coast, so the listed areas of these countries should be searched for on the Black Sea coast. At the same time, Rus Yar ended near Sevastopol. A completely logical question arises: "Where does Russia of the Slavs end now?" - it is worth considering the geoglyph at the end of the road from Sevastopol to Yalta, that is, the geoglyph of Alushta.

Geoglyph of Alushta

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Geoglyph of the Crimean mountains on the southern coast, near Alushta, from a height of 4 km, Fig. Chudinov writes:

“I was immediately struck by the fact that the mountains to the northeast of the city form readable letters. There was a fragment near the city, which I turned on the decoding field 90 degrees counterclockwise, and read the rather large words of the inscription YARA TEMPLE. Further letters I read without turning: STOLITSA RUSSI SKLAVYAN. This means that the true capital of Rus of the Slavs was located on the coast, but some of its branches lay high in the mountains, in the region of Scythian Naples, and was also called the capital of Rus of the Slavs. In other words, my assumption was confirmed, and the real capital was, as the geoglyph says, in the form of mountains (oroglyph) in Alushta."

Chudinov decided to check this reading and confirm it with an urbanoglyph, that is, the building of the city itself. And it was confirmed - inside the fragment highlighted with a black frame at the top of the city there is an inscription STO from a more complete inscription YARA STOLITSA RUSSI SKLAVYAN. And inside the lower fragment I have the inscription ROD YARA, which apparently means the location of the corresponding temple.

Maybe the time has really come when discoveries are possible with a non-standard approach to research?

Opening 4. "Medieval maps of the world with the image of Russia"

You and I were told one story of our Motherland, in which for some reason we must “sacredly” believe. For me personally, it is surprising that Patriarch Kirill says about the Slavs like this: "These are barbarians, people who speak an incomprehensible language, these are second-class people, they are almost animals." … Anyway.

There is such a concept "O-T cards". Orbis terrae - i.e. "Globe of the Earth". Chudinov pays special attention to the study of these maps. If you open Wikipedia, you will see this definition of this concept:

“This is a type of medieval world map in which the inhabited world is depicted as a wheel, according to the teachings of Isidore of Seville and Beatus of Liebana. It is divided into three parts - Europe, Africa and Asia, the latter being approximately equal in size to the other two. Europe from Africa is separated by the Mediterranean Sea, Africa from Asia - the Red Sea or the Nile River, Europe from Asia - the Aegean Sea, the Bosphorus or the Tigris and Euphrates rivers. Taken together, all these bodies of water form the letter T. Hence the second name of this type of map is the T and O map (O is the world ocean, enveloping the ecumene). In the center of such a map, as a rule, were placed the Holy Land and Jerusalem - "the navel of the Earth" (ombilicum mundi) and the arena of the greatest events in world history described in the Bible."

And if you look at the definition of "Medieval maps" in the same Wikipedia, we see:

“Mappa mundi (Latin for“map of the world”) is the general name for geographical maps of the European Middle Ages. Their peculiarity was that they were not intended for practical use, say, for navigation (unlike the later portolans), but for a visual illustration Christianpictures of the universe …."

“The most widespread were mappae mundi, composed according to the principle of T and O. On these maps, the land formed a circle divided into three parts by the Mediterranean Sea and the associated reservoirs in the shape of the letter T. For the medieval mind, this was the most rational and harmonious concept of the universe, not contradicting the geographical knowledge of the time. On some maps, the climatic zones identified by Aristotle were applied - from the Arctic to the equatorial."

Chudinov writes:

"… Christian ideology has penetrated into such spheres of everyday life as the spatio-temporal characteristics of the earthly world order."

Map of Pietro Vescontes 1321

On this map, Chudinov found four figures, as well as inscriptions confirming that Rome fought against Spring Russia.

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On the upper frame, he counted: RUSSIA MARA. TEMPLE OF ROME. It follows from this that at the time of creation of this map in one of the temples of Rome(most likely in the temple of Yar) they still remembered that Rome is located on the territory of Rus Mary … And there are the words: MAKE-UP MASK, that is, GEOGRAPHIC IMAGE. In other words, the same terminology is used as on Russian maps made in the future Veliky Novgorod or the future Sevastopol.

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And at the top right there is a dating: 500 YARA YEAR. Translating it into our usual chronology, we get the date 1356 YEAR FROM THE BIRTH OF CHRIST. In other words, historians of cartography made it 35 years old, although in fact it was made in the second half of the XIV century!

It turns out that Chudinov received confirmation that Rome fought against Spring Russia, the symbol of which was the temple of Yar. And the fact that during the years of this struggle Rome began to remember that it was on the territory of Rus Mary, as we see on the map of 1356!

As for the faces, one obvious one is the image of a woman with a baby, somewhat similar to the image of the Mother of God with Jesus.

The second face is the face of a bearded, mustachioed man, whose eyes are not visible. This face bears the signature: YARA MIM. And on the baby's right hand there are words: YAR'S MASK. Thus, the child is not Jesus Christ at all. But it follows from this that the woman is not the Mother of God, but the Russian goddess Mara. This inscription is confirmed by the words on her pompom - MARA'S MASK.

Having studied the three characters of the card, it becomes clear that they belong to Russian Vedism, and not to Christianity at all, although this card refers to O-T cards, which are "saturated" with Christianity.

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And what do we see on the 4th face? This is a very entertaining character.

Chudinov writes:

Interesting isn't it?

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In addition to the medieval map of Piento Vismontes, Valery Alekseevich studied medieval maps such as Hereford Map of the World, Ebstorf Map.

Hereford, for example, says that Rome was located on the territory of Rus Mary, which means he was in Scythia Mary. And, therefore, he has the same wolf grin and the corresponding intentions. She also says that the cent of the world known in the second half of the XIII century is RUSSIA OF SCYTHIA.

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The Ebstorf map turned out to be an artifact of the temple of Rurik Yar and was created on the eve of the decree of the Council of Trent 5 years before the prohibition of non-Christian dating, and this contradicts the information of official science history, which says that this map is from the 13th century. How so?

Other examples of reading V. A. Chudinov

In addition to geoglyphs, texts on icons and ancient frescoes, paintings V. A. Chudinov likes to decipher the inscriptions on old coins. Some of them, by the way, actually turn out to be medals.

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For example, there are interesting inscriptions on the ancient coin of the Devitsky treasure. The look of a common man in the street would not give such a decoding to the coin.

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Chudinov also encountered interesting inscriptions on everyday objects on the pattern of the bag. The result is quite impressive. For example, the decrypted record on the pattern indicated the place where the bag was made, as well as who owned this thing.

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For those who are interested in the method of reading information according to Chudinov, as well as examples of already deciphered records, you can read his book "Runes of Ancient Rus". There are many examples of such decoding. Everything is well shown and exactly the facts.

The opinion of the official science about the works of V. A. Chudinova

Despite the rich research and scientific experience, Chudinov's statements are not accepted by academic science and academicians of the Russian Academy of Sciences due to a radical contradiction to the conclusions of official history.

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Not surprising. But there is also such an opinion of official science about the discoveries of Chudinov: “None of these readings has any chance of being correct for the simple reason that twenty-five, or twenty, or fifteen centuries ago, the language of our ancestors was beyond recognition to modern Russian ". And this is the main argument in favor of his unsuitability in the issue under consideration. And in principle it is true, if not for one "BUT":

It is also worth noting that after repeated checks, Chudinov came to the conclusion that many thousands of years ago before Cyril and Methodius, our ancestors wrote the same way as you and me … Soon the professor comes to another discovery that the existence of the Russian language (it can be called whatever you like, according to Chudinov's explanation - ancient Russian, common Slavic, etc.) took place in the most ancient times, and more specifically - not less than two hundred thousand years ago.

Like Chudinov, the so-called "trolls" were not called on the network, for example:

“A happy discoverer of the rear mask, a lamp smoky Russian science, an honored freak of this country, an honorary academician of the Russian Academy of Natural Sciences and a professor of sour cabbage soup,” “the title of“Honored linguist of the Russian Federation”, etc.

Chudinov in the network was literally pursued by entire groups of trolls, moreover, very trained in this craft.

Has an opinion on this matter. The paradox - well, if a person is talking nonsense and his discoveries are supposedly wonderful, don't just react, but no. As practice shows, the one who brings the truth to the masses is often attacked in such a way as to confuse the people. But just think - Chudinov is a very educated person. He has been the director of the Institute of Ancient Slavic Writing and Ancient Eurasian Civilization since 2005. And this institute was created with the participation of Scientific Council for the History of World Culture of the Russian Academy of Sciences and the Academy of Fundamental Sciences.

Moreover, Chudinov for today Chairman of the Commission on the Culture of Ancient and Medieval Russia of the Scientific Council for World Culture of the Russian Academy of Sciences, the author of the discovery of the original runic writing of the ancient Rus - RUNITS.

Well, why do trolls attack a professional in their field? Why does the official science, which took part in the opening of the institute, where Chudinov is the director, does not accept its opening?Draw conclusions, friends.

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