Is ancient Rome younger than MOSCOW? Fake history of the Roman Empire. Part 1

2024 Author: Seth Attwood | [email protected]. Last modified: 2023-12-16 15:55

Antiquity is the Renaissance. And the so-called "Middle Ages" loses all logical meaning, as a certain period of time of 1000 years between the fictional "Antiquity" and the real events of the 15-17th centuries, which will later be called the "Renaissance".

Does it seem impossible? Let's take a look at the facts. The term "Renaissance" or "Renaissance", as a designation of the historical era of the 15-17th centuries, was introduced into use only in the 19th century by the French historian Jules Michelet.

Who, why and, most importantly, HOW turned this global historical scam, we will tell later. And now there will be presented several facts, or, as historians say, artifacts, on the basis of which Alexander Tamansky put forward the hypothesis that historians deliberately endured inconvenient events of the 15-17 centuries, such, for example, as the persecution of the first Christians under the general title "Religious Wars ", Into the deep" antique "past.

Fashion for Antiquity The late appearance of Christianity is evidenced by the tombs of the popes of the Renaissance, on which, with rare exceptions, Christian symbolism is almost completely absent. But there are pagan gods, such as Minerva - the goddess of wisdom and just war, or Fortune - the goddess of happiness, chance and luck.

Not only the tombs, but also the life of the popes, and their way of life, was 100 percent pagan, as even official sources report:

The political and religious activities of Leo X did not prevent him from leading a high-society lifestyle at the papal court. The most favorite pastime of Leo X was hunting and arranging magnificent festivities, diversified by theatrical performances, ballets and dances. On these entertainments, the Pope annually spent twice the amount that brought the papal estates and mines.

He squandered the entire gold reserve that Julius left him in the legacy of numerous artists, sculptors, painters, writers, comedians, papal jesters and the like. Leo X appreciated the work of Raphael Santi. On the contrary, Leonardo da Vinci, after two years in Rome, left the "spoiled" city. Many famous humanists came to Rome to marvel at the splendor of the papal court.

Some praised the splendor of the festivities, while others were amazed and even grieved by the luxury of the clergy and the pagan lifestyle of the Christian capital.

Blimey! But after all, Christianity and paganism are deeply antagonistic and incompatible, even in a small part of them, cultural, philosophical and religious traditions, because the persecution of Christians was organized precisely by the pagan authorities of the Roman Empire, according to the same official history. The fashion for pagan culture in the supposedly Christian capital of the world is like a monument to Hitler in the Holocaust Museum in Jerusalem. Or imagine what his flock would do to Patriarch Kirill if he organized the All-Russian Maslenitsa or jumped over the fire on the day of Ivan Kupala?..

The story about "fashion for everything antique" is a forced measure of historians of the 18-19 centuries, because they were given the most difficult task - to make the European states, formed on new ethno-confessional, national principles, quite recently, after the Religious Wars and the Peace of Westphalia, ancient. Moreover, it was necessary to push the persecution of the first Christians into the deep historical past without destroying the tombs, villas and monuments of Roman popes and cardinals, the appearance of which testifies to the pre-Christian culture of Rome and the Vatican during the Renaissance.

Historians only had (and they simply had no other options) how to cover up this historical disgrace with fig leaves, the first of which is called "fashion for everything antique in the Renaissance." When the state had a monopoly on history, this approach worked, but in the age of the Internet, fig leaves begin to fall off. Great Rome and Barbarians The next flying fig leaf of "very, very ancient" Rome is its architecture.

Almost all buildings and structures in Rome, dating from the official history before the 5th century AD, that is, before the collapse of the Roman Empire, were built using standard fired ceramic bricks. But the standard fired brick became widespread in Europe only from the 15th century. - And this is again the Renaissance.

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